Kemuel returns with Borokiri Boy, his third EP and most complete body of work to date. Born from his roots in Borokiri, Port Harcourt, Rivers State, the nine-track project captures a season of life shaped by love, desire, heartbreak, and self-reflection, entirely written and produced by Kemuel under his alias, Wondah.

Blending Afrobeats, R&B, and electronic textures, the EP unfolds like a journey. It opens with the rush of new attraction, moves through the complications of casual entanglements and toxic cycles, and arrives at a hard-won realisation: before he can truly give himself to someone else, he needs to heal, grow, and lock in on the life he is building.

"The name Borokiri Boy is very intentional because this project is mostly about me," Kemuel says. "It's made up of a lot of love songs because, honestly, I'm mostly made of love. I wanted the project to feel like a journey. It starts with love, moves through the excitement of it, and slowly arrives at awareness. It's me realising that as much as I have so much love to give, I also have so much work to do on myself."

The project begins with "Seki," where Kemuel faces his fear of approaching someone new, asking if they can try again despite the timing. On "Osei Baby," the tone shifts; he is honest about his casual intentions, redirecting a partner's desire for commitment back to something purely physical. "Close 2 U" pulls him back into a love cycle, finding an oasis amid life's chaos in the presence of someone who makes time for him.

"YOLO" and "FINI" operate as a two-part sequence. The former pushes someone to stop living in the past and take a chance on the present; the latter finds that same person taking the "live once" philosophy too far. "Wound Me" confronts a toxic push-and-pull, the kind of pain that somehow still feels like love. "Pitakwa Girls Riddim" then lightens the mood, celebrating Port Harcourt women and culture with humour and local flavour.

The closing "Spirit / Habit" ties everything together. "Spirit" is the moment of admission: he is not ready for love, still figuring himself out, and unwilling to repeat old patterns. "Habit" grounds that realisation in reality, a reminder of where he comes from, where he stands, and where he is headed. The project ends on a mantra: "E go sup eventually." Everything will work out.

"I hope this project shows what it looked like to be lost in love," Kemuel says, "and what it feels like to finally start finding my balance."

TRACKLIST

Seki

Osei Baby

Close 2 U

YOLO

FINI

Wound Me

Pitakwa Girls Riddim

Spirit

"Borokiri Boy" is now available on all streaming platforms via ONErpm.

 Ghanaian rapper and singer Humphrey Amponsah Dadzie, professionally known as HA-DI, has released a two-track project titled “Tell A Man”, featuring the songs “Wicked One” and “Saman.”

Rooted in the Ghanaian tradition of storytelling and sharing wisdom through conversations, “Tell A Man” Is a reflective body of work that uses music as a tool for dialogue, introspection, and understanding. The project captures HA-DI’s ability to transform real-life observations and cultural experiences into meaningful stories that connect with listeners on a deeper level.

Blending elements of Afro, Dancehall, Reggae, Rap, and Highlife, the two-pack explores themes of human experiences, personal choices, societal judgment, influence, and the legacy people leave behind.

The first track, “Wicked One,” challenges the way society quickly labels people without understanding their full stories.

Inspired by real-life experiences, HA-DI explores how a person’s environment, upbringing, struggles, and circumstances can influence their journey. The song draws a comparison between a seed planted on rocky ground and one planted in fertile soil, highlighting how different conditions can shape different outcomes.

While acknowledging that individuals must take responsibility for their actions, HA-DI encourages listeners to approach people with empathy and understanding before passing judgment.

“The Wicked One” serves as a reminder that behind every person is a story, and sometimes the battles people fight is hidden from the world.

The second track, “Saman,” explores the idea of influence and the lasting impact people leave behind.

Traditionally associated with spirits of the departed, HA-DI reimagines the meaning of “Saman” by reflecting on the invisible footprints created by the living through their words, actions, and decisions.

The song questions the kind of legacy people are building every day and encourages listeners to consider how their presence affects those around them.

Through its storytelling approach, “Saman” reminds us that our impact is not only measured by what remains after we are gone, but also by the lives we touch while we are here.

With “Tell A Man,” HA-DI continues the tradition of Ghanaian storytelling by creating music that goes beyond entertainment — music that sparks conversations, encourages reflection, and leaves listeners with lessons they can carry forward.

“Tell A Man” Is available now on all major streaming platforms.