Rising Nigerian singer and songwriter Joharry bridges the gap between late-night vulnerability and early-morning ambition on his latest two-track release, DAWN, available now on all streaming platforms.

Featuring "LAST NIGHT" and "MULLER," the 5-minute, 41-second project moves seamlessly from the blurred, alcohol-soaked confessions of 2:15 AM to the laser-focused grind of chasing the bag before sunset.

Blending Afro-soul, contemporary R&B, and bouncy street-ready Afropop, Joharry uses DAWN to tell two halves of a familiar Lagos story; what happens when the drinks lower your guard, and what happens when you wake up locked in on your paper.

"LAST NIGHT" opens the project in the thick of a hazy night out. Built around the hypnotic, repeating Yoruba hook "Kini wa mo fe shey bayi" ("What am I going to do now?"), Joharry sings about Hennessy pouring, losing composure as the music plays, and the raw honesty that slips out at quarter past two in the morning, the kind of confession you bet the other person won't even remember when the sun comes up.

"MULLER" flips the mood entirely, trading late-night intoxication for pure tunnel vision. Over an infectious,upbeat bounce, Joharry makes his priorities clear: "She said do you love me / The only thing I love is my money." From referencing Naira notes over dollars ("Obafemi no be Benjamin") to vowing to stack his paper "like Mount Everest" until he has funds for emergencies, privacy, and everything in between, "MULLER" is a relentless hustle anthem made for early risers, late-night drivers, and anyone refusing to let their river run dry.

Reflecting on the inspiration behind the project, Joharry shares: "There’s a certain hour when the night has said all it needs to say, but the morning hasn’t quite found its voice. A moment suspended between what was and what could be. Where memories linger, desires take shape, and the mind wanders towards everything it has yet to become.

Two stories live within this moment. One born out of the pleasures, intimacy and mysteries of a night that leaves you wondering how it all unfolded. The other, driven by hunger, ambition, and the pursuit of a life that refuses to leave your imagination. Different experiences. Different states of mind. Yet somehow, they find common ground. I call it DAWN.

Perhaps it’s the aftermath of one experience and the beginning of another. Perhaps it’s a reminder that there’s always something waiting on the other side of the night. Whatever it means to you, I hope you find a piece of yourself in it."

That ability to hold two contrasting moods in one breath is something Joharry, born Harrison Joseph Chibuike on April 8, 1999, has been refining for years. Rooted in a background of choir training and church-honed vocal warmth, he has steadily built a reputation for blending English, Pidgin, and Yoruba into candid, emotionally rich storytelling. From early records like "Swit Loving" and "Farabale" to standout releases like "Come Closer," "Reflection," and his 2026 single "I.B.Y.P," he has consistently balanced soulful depth with street-smart energy.

DAWN arrives as the clearest distillation of that journey yet, bringing together the emotional depth of his church-trained, Afro-soul roots and the unapologetic hunger of an artist stepping fully into his next chapter. Whether soundtracked at 2:00 AM with a glass in hand or at 7:00 AM en route to the next cheque, DAWN meets listeners right where real life happens. With more music and live appearances on the horizon, Joharry invites listeners into this new era, encouraging them to press play, sit with both sides of the story, and find a piece of themselves in the transition.

DAWN is available now on Spotify, Apple Music, Audiomack, and all major digital streaming platforms.

Stream DAWN on Spotify

The DX Music International signee explores the excitement and vulnerability of falling for someone on his latest release.

Sometimes, a feeling is too strong to put into words. For Tiimie, that feeling finds its expression in music with “Oh Darling,” his latest single, now available via DX Music International.

Marking a fresh chapter in his musical journey, the new release sees Tiimie lean into the softer, more romantic side of his Afro-fusion sound. Built around soulful melodies, expressive vocals, and contemporary African rhythms, “Oh Darling” captures the excitement of attraction and the vulnerability that comes with developing genuine feelings for someone.

Rather than overcomplicating the emotion, Tiimie allows the music to do the talking. The record embraces the little things that make falling for someone special: the unexpected chemistry, the desire to be closer, and the feeling of having someone constantly on your mind.

With its warm sonic direction and melodic appeal, “Oh Darling” offers an easygoing yet emotionally engaging listening experience, showcasing another dimension of Tiimie's artistry while reinforcing his ability to connect through melody and feeling.

As he continues to carve out his place within the Afro-fusion landscape, Tiimie invites listeners to experience a record that celebrates affection, connection, and the beauty of letting your guard down.

“Oh Darling” is out now via DX Music International on all major streaming platforms.

For Nigerian singer and songwriter Sedaze, music has always been more than entertainment. It is an avenue for expression, connection and finding purpose. That philosophy takes centre stage on his forthcoming four-track EP, BLACK SENSATION.

Born David Adesanya in Ogun State, Sedaze's journey began in the church, where singing in the choir and participating in musical competitions helped him discover his passion for music.

Years later, after balancing his creative ambitions with academic pursuits at the University of Lagos and the University of Stirling, he continues to build his identity as an independent artist driven by consistency and belief in his craft.

His latest project reflects that journey through four records that explore the complexities of love, relationships, faith and personal growth.

Led by Aayanfe, a playful and romantic celebration of attraction, the EP moves into nostalgic territory with ‘Ranti’, a heartfelt recollection of the moment a special connection began. ‘Let Me Go’ offers a more vulnerable perspective, confronting the emotional weight of toxic relationships and the courage required to walk away.

The final track, ‘O.Y.O (On Your Own)’, brings the project to an uplifting close, combining heartfelt prayers for a better future with an infectious, celebratory sound. It captures the importance of faith, resilience and maintaining hope through life's uncertainties.

Across the project, Sedaze blends Afrobeats, Afropop and Afrosoul, incorporating Yoruba and pidgin English expressions to deliver music that feels personal while remaining relatable.

With this release, Sedaze invites listeners into his world, offering four different perspectives on life, love and the journey towards becoming a better version of oneself.

BLACK SENSATION EP is out now on stream platforms. Listen here

 Following a steady run of releases, international performances and growing momentum throughout the year, Afro-fusion artist UWA returns with his newest single, “Fallin,” set for release on September 4.

Fresh off the success of his last single, Composure, UWA shows no signs of slowing down. From performing shows across the UK to consistently releasing new music and building anticipation around a rumored EP, his sound continues to become more polished with each release, developing an identity rooted in Afro-fusion, romance and luxury.

Arriving as summer comes to an end, Fallin captures the nostalgia of summer memories while setting the tone for the transition into fall. The record taps into the nostalgia-driven sampling becoming a defining element of Nigeria’s new-age scene, blending modern production with influences reminiscent of early-2000s Afropop.

At its core, Fallin is a romantic record, but its infectious production and rhythm keep it just as fitting for the club. The result is a song that feels nostalgic yet current, bringing together different eras of African music through UWA’s evolving sound.

Fallin represents Afro-fusion at its finest — blending new-age sounds with early Afropop influences while continuing to establish UWA as part of a new generation pushing the sound forward.

“Fallin” by UWA is available September 4 on all major streaming platforms.

Kemuel returns with Borokiri Boy, his third EP and most complete body of work to date. Born from his roots in Borokiri, Port Harcourt, Rivers State, the nine-track project captures a season of life shaped by love, desire, heartbreak, and self-reflection, entirely written and produced by Kemuel under his alias, Wondah.

Blending Afrobeats, R&B, and electronic textures, the EP unfolds like a journey. It opens with the rush of new attraction, moves through the complications of casual entanglements and toxic cycles, and arrives at a hard-won realisation: before he can truly give himself to someone else, he needs to heal, grow, and lock in on the life he is building.

"The name Borokiri Boy is very intentional because this project is mostly about me," Kemuel says. "It's made up of a lot of love songs because, honestly, I'm mostly made of love. I wanted the project to feel like a journey. It starts with love, moves through the excitement of it, and slowly arrives at awareness. It's me realising that as much as I have so much love to give, I also have so much work to do on myself."

The project begins with "Seki," where Kemuel faces his fear of approaching someone new, asking if they can try again despite the timing. On "Osei Baby," the tone shifts; he is honest about his casual intentions, redirecting a partner's desire for commitment back to something purely physical. "Close 2 U" pulls him back into a love cycle, finding an oasis amid life's chaos in the presence of someone who makes time for him.

"YOLO" and "FINI" operate as a two-part sequence. The former pushes someone to stop living in the past and take a chance on the present; the latter finds that same person taking the "live once" philosophy too far. "Wound Me" confronts a toxic push-and-pull, the kind of pain that somehow still feels like love. "Pitakwa Girls Riddim" then lightens the mood, celebrating Port Harcourt women and culture with humour and local flavour.

The closing "Spirit / Habit" ties everything together. "Spirit" is the moment of admission: he is not ready for love, still figuring himself out, and unwilling to repeat old patterns. "Habit" grounds that realisation in reality, a reminder of where he comes from, where he stands, and where he is headed. The project ends on a mantra: "E go sup eventually." Everything will work out.

"I hope this project shows what it looked like to be lost in love," Kemuel says, "and what it feels like to finally start finding my balance."

TRACKLIST

Seki

Osei Baby

Close 2 U

YOLO

FINI

Wound Me

Pitakwa Girls Riddim

Spirit

"Borokiri Boy" is now available on all streaming platforms via ONErpm.

Following the release of ‘Oluwa’ earlier this year, Nigerian Afrobeats artist Lambamills continues his impressive run with a brand-new single titled ‘Poverty’.

The record sees Lambamills deliver another infectious Afrobeats offering, blending captivating melodies with heartfelt storytelling and vibrant production. Produced by Robin Marni and Tega Starr, ‘Poverty’ showcases the artist’s evolving sound while maintaining the authentic style that has continued to resonate with listeners.

Building on the momentum of ‘Oluwa’, ‘Poverty’ marks another step forward in Lambamills’ musical journey, highlighting his consistency and versatility as one of the exciting emerging voices in Afrobeats. With its polished production and memorable delivery, the single is poised to connect with both longtime fans and new audiences alike.

‘Poverty’ is now available on all major streaming platforms.

UWA is back. Fresh off a major run of shows across the UK, the Toronto-based Afro-fusion artist returns with “Composure”, a silky, summer-ready Afroswing and Afro-R&B record that arrives right on time.

“Composure” is the first release since UWA expanded internationally, and it lands like a statement. Over the past few months, he’s been locked in, performing across the UK, connecting with new audiences, and refining a sound that already had people paying attention. This record is the proof of work.

The song is exactly what the name says. Confident. Flirtatious. Effortless. It captures that specific summer feeling; the kind of track that comes on and immediately sets the mood. There’s an ease to it that sounds intentional, not accidental.

“This record is just meant to feel like summer,” UWA says. “I wanted it to feel smooth in a way that you can tell it’s from me but still catchy, like one of those songs, you hear once during summer, and it just sticks with you.”

UWA sits right at the intersection of the UK Afroswing sound and modern Afro-R&B, a lane he’s carved out for himself. The diaspora is watching, the numbers are moving, and “Composure” is a reminder that the best is still ahead.

“Composure” is out now on all streaming platforms. 

 It’s Double Trouble in  here, as  Afrobeats artist; Top Tier, preps a fiery two pack in the works that kicks off a party like no other!  

        Emerging as one of the fresh voices to look out for in the Afrobeats scene, Top Tier brings energy, charisma, and an unapologetically vibrant sound with his new releases, “Turn Up” and “Like That”

    “Turn up” is a bold, feel-good anthem designed to light up dance floors and set the tone for your unforgettable nights. Blending elements of Afropop with subtle infusions of Afro-hip hop, “Turn Up” delivers a smooth yet high-energy rhythm that instantly pulls you in. With its catchy hooks, infectious beat, and  delivery, the track captures the essence of carefree enjoyment and pure vibes.

       It embodies the spirit of good times,  the kind where the music is flowing, the energy is right, and nobody’s holding back. It’s an open invitation to let loose, step out, and fully embrace the moment. Whether you’re at a house party, in the club, or just vibing with your friends, this track sets up the perfect mood.

      With a playful edge and a nod to the “baddies in the room” and the DJ spinning the turntables, Top Tier crafts a sound that is inclusive and electric,  a celebration of fun and living in the moment. 

        He raises the stakes with his second track; “Like That”, an infectious Afro-hip hop jam that strikes a smooth balance between smooth music and a thrilling energy.

     From the very first beat, the track pulls you into its world, a sonic blend of rhythm, bounce, and groove that’s effortless and electrifying. It’s layered with some amusing, dynamic musical elements that hit you all at once, creating that rich listening experience that stays with you long after the song ends.

     “Like That” captures that pre-party excitement, the anticipation of a great night, the thrill of stepping out, and the promise of unforgettable moments. 

       There’s a lightness and vital energy woven into the track, making it the perfect soundtrack for good times, whether you’re getting ready with your friends or already in the middle of the dance floor.   “Like That” takes you to a moment in time, where the music is good and the drinks flow. 

     Top tier is that artist, that finesses lyrical bars and keeps things melodic at the same time. His whole MO here is to get the party started and these two singles do it perfect justice.        Soon to be out on all streaming platforms, watch out for the magic he has in store for you!

 

Purp Kulture unveils Purp Sessions, a live performance series spotlighting raw artistry and intentional sound, debuting with a powerful set from Reespect.

As the first artist on Purp Sessions, Reespect sets the tone with a performance rooted in authenticity, musicality, and refined visuals.

The debut session was brought to life in collaboration with a tight-knit creative team. Recorded at Beezle Studios and visually directed by Wemimo, the performance blends sonic precision with clean, immersive visuals.

Backed by a live band, the session features:

* Drums: Chuks Osifo

* Guitar: Emmanuel Igwe

* Electric Keyboard: Kelechi Obioha

* Bass: Elubode Sinmiloluwa

Released April 14, 2026, on YouTube, the first Purp Sessions marks a new era for Purp Kulture, documenting sound in its purest form.

With this launch, Purp Kulture builds a platform that showcases talent and archives key moments in contemporary music culture.

Purp Sessions is now live.

Ultima Limited is proud to announce the release of Heat & Heart, the debut EP from Afrobeats artist Ayo Benzi. Set for release on April 8, 2026 across all major digital streaming platforms, the 4-track project marks the arrival of one of Nigerian music’s most exciting new voices and fulfills a promise made under national television lights.

FROM THE SCREEN TO YOUR SPEAKERS

Ayo Benzi is the winner of Next Afrobeats Star Season 1, Nigeria’s flagship televised music competition for emerging Afrobeats talent. Every track on Heat & Heart is an original composition, songs that were written, crafted, and performed across the competition’s run, now remastered and packaged for the world. This is not a compilation or a greatest hits; it is a fully conceived debut body of work, shaped under pressure and delivered with purpose.

The transition from television audience to streaming audience is a defining moment in any artist’s journey. For Ayo Benzi, it is the natural next step in a story that millions of Nigerians have already been watching.

Heat & Heart is an Afrobeats-forward project rooted in culture, texture, confession, and groove. Where most debut EPs ease listeners in, Ayo Benzi opens the door wide, four tracks that move between heat (energy, swagger, the tension of wanting) and heart (vulnerability, faith, the weight of what matters). It is the duality that defines this generation of Nigerian artists: deeply spiritual, intensely ambitious, and wholly themselves.

Lead single “Oil Dey My Head” sets the tone. Drawing on the imagery of divine favour and anointing, the oil that marks, protects, and consecrates, Ayo Benzi delivers a statement of faith wrapped in one of the most infectious Afrobeats productions of the year. It is the kind of record that plays at church and at the party, and sounds perfectly at home in both.

“Every song on this EP is a piece of me that Nigeria has already heard, but now it’s yours to keep. Heat & Heart is just the beginning.”

— Ayo Benzi

“Ayo Benzi did not just win a competition, he earned a platform. Heat & Heart is what happens when raw talent gets the time and space to say something real. We believe in these songs. Nigeria will too.”

— Femi Ayeni, C.E.O, Ultima Limited

RELEASE DETAILS

Artist: Ayo Benzi

EP Title: Heat & Heart

Release Date: April 8, 2026

Format: 4-track EP | Digital / Streaming

Genre: Afrobeats

Lead Single: “Oil Dey My Head”

Available On: Spotify, Apple Music, Audiomack, Boomplay, YouTube Music, and all major DSPs

 

ABOUT AYO BENZI

Ayo Benzi is a Nigerian Afrobeats artist and the winner of Next Afrobeats Star Season 1. Known for a performance style that fuses vocal range with raw stage presence, he rose through one of Nigeria’s most competitive music platforms and emerged with both a title and a fanbase. Heat & Heart is his debut EP and his formal introduction to the global music market.

Ohlay, a young new artist in the Nigerian music scene, recently dropped his new single, “Whyne”, last Friday. This artist has a knack for blending melody, emotion, and rhythm into a fresh sound that draws on Afrobeats and global music.

Known for his catchy hooks and honest storytelling, Ohlay is building a growing fanbase with every release as he pushes toward that global stage.

Following his first release “Ohh no” in 2025, he’s back and stronger this year with something fresh and compelling; “Whyne”, a simple, catchy, and rhythmic Afropop jam.

Ohlay holds a shrill, yet soft and chill voice that gives the rhythm the flow it deserves, helping this artist stand out effortlessly. 

Out now on all streaming platforms, check out “Whyne”, smooth music that’s easy to love

Emerging Sensation Wavior returns with “Problem,” a new release marking a steady step forward in his evolving sound. With no label backing, the track is produced by Mbeat (Martins Tochukwu Martins), keeping things raw, intentional, and fully independent. Following his last single “Wait” featuring Arkxd, this drop signals more than just new music, it’s a statement of direction and purpose.

From the first beat, “Problem” settles into an upbeat, steady-paced rhythm that feels controlled without losing its bounce. Drawing from Afrobeats, Afropop, dancehall, and pop, the sound leans into a lively groove that carries itself naturally. Wavior doesn’t rush the moment, he stays measured, letting the tempo do its work while his delivery remains sharp and aware. There’s a subtle street influence in the tone, but it’s refined, not overpowering, giving the track balance without making it feel heavy.

At its core, “Problem” speaks to staying sharp in a world filled with pressure, distractions, and internal battles. It’s about knowing when to move, when to hold back, and how to keep your head clear even when everything feels loud. There’s resilience in the message, but also a sense of ease, a reminder that even in the middle of it all, there’s still room for joy.

For Wavior, this release is more than a single, it’s the groundwork for something bigger. A way of building awareness, creating consistency, and setting the pace for long-term growth. And if this is the foundation, then what follows is simple: good music, delivered with intention, every time.

Over the course of three EPs and four albums, the 29-year-old Nigeria body rapper and singer has quietly built a body of work that charts his evolution. He has easily evolved into one of Nigeria’s most musical shapeshifters. - Clash Magazine

Nigerian rap provocateur Blaqbonez is turning the clock back to where it all began. On his new single “Hustle Kpa,” featuring Artsalghul, the Chocolate City star strips away the theatrics and revisits the raw hunger that powered his ascent from underground battler to one of Africa’s most dynamic hip-hop voices.

“Hustle Kpa” arrives as the lead single from the forthcoming No Excuses (Deluxe), scheduled for release later this month, extending the narrative of Blaqbonez’s fifth studio album No Excuses, which dropped in October 2025 and has already crossed 100 million cumulative streams across digital platforms. The original project delivered standout records like “ACL” and “Despacito” featuring FOLA, both of which individually surpassed 10 million streams, reinforcing the album’s commercial and cultural impact.

But while "No Excuses" celebrated the results of Blaqbonez’s relentless ambition, “Hustle Kpa” focuses on the grind that made it possible. 
Over a hard-edged, streetwise production, Blaqbonez raps with the urgency of someone who still remembers every sleepless night and every dismissed dream. The record channels the spirit of his formative years — when he was sharpening his pen in Nigeria’s battle rap circuit, freestyling relentlessly, and pushing his music through sheer willpower. Artsalghul complements the record’s ethos with a performance that underscores the song’s central theme: the unglamorous labour behind success.

It’s a reflective but triumphant moment for an artist whose career has been defined by reinvention. Born Akumefule Chukwuemeka George, Blaqbonez began rapping at 13 and first gained traction while studying at Obafemi Awolowo University, where his freestyle culture and online presence built a cult following. His early dominance in Nigeria’s battle rap scene — including winning Terry The Rapman’s Zombie competition and the Hennessy VS Class of 2015 — signaled the arrival of a formidable lyricist.

His trajectory accelerated after signing with Chocolate City Music’s 100 Crowns imprint, where he released “Bad Boy Blaq,” a project that debuted at #1 on the iTunes Nigeria Hip-Hop chart and marked the beginning of a prolific run. Over the years, Blaqbonez has continued to expand his sonic universe across projects like Sex Over Love, Young Preacher, and Emeka Must Shine, blending hip-hop, Afrobeats, drill, and alternative influences while cultivating a reputation as one of the continent’s most inventive personalities.

By the time No Excuses arrived in 2025, Blaqbonez had already become more than a rapper — he was a cultural strategist, an internet-savvy provocateur, and arguably one of the most visible champions of African hip-hop’s modern evolution.
With “Hustle Kpa,” he reminds listeners that before the accolades, endorsements, sold-out shows, and viral moments, there was simply the work.

Rising Afrobeats artist Taene returns with her most confident and defining release yet, “Million Girl,” available worldwide on March 6 across all major streaming platforms.

“Million Girl” is an unapologetic celebration of femininity, individuality, and self-worth. Driven by infectious Afrobeats production, striking melodies, and Taene’s fiery delivery, the single boldly declares what she has always embodied: she is one in a million.

“I’m particularly excited about this era because this is music I’m very proud of. It’s genuinely music I would listen to on repeat,” says Taene. “Confidence is a huge part of my brand and one of my strongest suits, so why not make an anthem emphasizing the fact that I’m the baddest? I am literally one in a million.”

With this release, Taene fully embraces her power. The record reflects a woman who does not seek validation, who stands firmly in her uniqueness, and who refuses to shrink herself for anyone. It’s bold, fearless, and intentionally empowering.

More than a personal statement, “Million Girl” is designed as an anthem for women everywhere , across every age, size, and background.

“The best thing about being an artist and a songwriter is that I can pen down whatever I’m feeling and make it cool,” she adds. “I want every girl out there to feel nothing short of special, cool, and honestly, sexy. They are beautiful, desired, and magical creatures who deserve to be celebrated.”

As Afrobeats continues to expand globally, Taene positions herself as part of the genre’s new wave, blending cultural rhythm with contemporary edge and global appeal. “Million Girl” marks a defining chapter in her artistic growth, reflecting elevated confidence, clarity, and creative direction.

With anticipation building, the single is set to make a strong impact across streaming platforms, social media, and radio.

“Million Girl” will be available worldwide on March 6.

In 2004, Sunny Neji released “Tolotolo,” a song that quickly became a staple in Nigerian R&B and a soundtrack for a generation that understood playful, expressive love. Twenty-two years later, a new voice has entered the conversation. 

On February 19, emerging AfroSoulé artiste Nyinée (formerly known as RnB Princess) will release her new single, “Tolotolo.” While the word remains the same, the message evolves. Nyinée’s “Tolotolo” explores the tension between surface-level affection — the sweet, performative romance often celebrated in culture — and the deeper, intentional love that sustains real relationships. At its heart, the song asks a powerful question: will we settle for Tolotolo love, or rise to the standard of something real?

In a full-circle moment bridging two eras, Nyinée shared her single with Sunny Neji ahead of its release. His response on social media was simple and affirming: “Nice song,” accompanied by a few emojis. For Nyinée, that brief endorsement carried weight. “I’m truly delighted and honored,” she shares. “For a legend like Sunny Neji to even listen and respond means so much. I’m optimistic to meet him soon and thank him personally.”

With warm vocals, honest storytelling, and a contemporary AfroSoulé sound, Nyinée’s “Tolotolo” honors the past while confidently defining her own lane.

“Tolotolo” was released on February 19 and is officially available on all streaming platforms.

Philosophy has many different meanings; sometimes people tell you about their philosophy of life. They usually mean their deepest and most abiding beliefs or things that guide them to behave or do things in a particular manner. Spirkin (1983) posits that, "philosophy and art differ principally according to their subject-matter and also the means by which they reflect, transform and express it". In a certain sense, art, like philosophy, reflects reality in its relation to humans and depicts humans, their spiritual world, and the relations between individuals in their interaction with the world. Philosophy, as it relates to art, deals with the ideas and beliefs that drive and guide one into the creation of artworks. In this case, philosophy of art seems to be all- encompassing, as ideas could emanate from the artist’s socio-cultural environment, psychological, scientific, and sociological inclinations. Thus, most artists' artworks are driven by ideas and philosophies, and BemiStudi0 is not in isolation when it comes to that.

BemiStudi0’s symbolic series of paintings is philosophically inclined and engages with ideas drawn from existentialism, metaphysics, stoicism, and theological narratives. Through this gamut of works, BemiStudi0 reflects on fundamental questions about human existence and the nature of reality. The paintings explore themes of isolation, power, perception, and the limits of human understanding, presenting them in ways that invite reflection rather than direct answers.

In this series of paintings, BemiStudi0 philosophically attempts to capture life in its totality, even while acknowledging that life itself resists clear definition. Each painting becomes a visual investigation into what it means to exist, to perceive, and to endure within uncertain conditions. Rather than offering fixed meanings, the works remain open-ended, allowing viewers to bring their own experiences and interpretations into the encounter. Thus, the idea of unresolved runs throughout the series, emphasising uncertainty and unanswered questions. BemiStudi0 uses form, space, and symbolism to suggest philosophical positions without settling into a single narrative or conclusion. As a result, the paintings touch on different aspect of philosophical theories while remaining grounded in lived experience. Together, they form a contemplative space where thought, emotion, and belief intersect, reminding us of the complexity and fragility of human existence.

Perspective on Hello?

In the painting titled Hello?, BemiStudi0 depicts a male figure seated on what appears to be a box with an opening that suggests a hole. The male figure is painted in a mint green hue, while the background is painted mainly in dark blue, with other shades of blue, touches of red, and small areas of yellow. The background colours create a sense of tension and reflect the complexity of life. The contrast between the background colours and the mint green tone of the figure strengthens the composition and draws attention to the subject.

One of the striking aspects of the painting is the way the figure’s head is covered with what appears to be an oversized hat that completely hides the face. This disguise removes any clear identity or expression, suggesting anonymity and emotional withdrawal. The seated posture of the figure suggests stress, waiting, and expectation. The figure holds a telephone to the right ear with the right hand, an action that implies an attempt at communication. However, the absence of any visible response heightens uncertainty. As suggested by the title Hello?, the moment captured in the painting feels like a question that remains unanswered. See plate i one for Hello?

Plate i, Hello? Acrylic on Canvas. 2025

Philosophically, Hello? reflects ideas of existential isolation and interpretive relativism. The hidden face suggests the loss of individuality and the difficulty of being truly seen or understood in the modern world. The telephone, which ordinarily represents connection, becomes a symbol of silence and emotional distance. This reflects the human condition in which individuals seek meaning, connection, and reassurance, yet often encounter uncertainty and unanswered questions. Consequently, sometimes in life, despite repeated questioning and effort, answers do not always come. In this sense, the painting captures a moment of suspension, between hope and despair, communication and silence, presence and absence. The painting does not offer a solution but instead invites viewers to reflect on their own experiences of waiting, doubt, and unresolved questions. Through its restrained imagery and symbolic elements, Hello? remains faithful to the philosophical spirit of the series, emphasising uncertainty as an essential part of human existence.

Conclusion

In conclusion, this review has examined the philosophical inclinations in BemiStudi0’s symbolic series with a focus on the painting Hello?. Drawing from philosophical ideas rooted in existentialism, metaphysics, and interpretive uncertainty, the review shows how BemiStudi0 uses visual language to engage with fundamental questions about human existence, perception, and meaning. Rather than providing clear answers, the painting emphasises ambiguity and unresolved inquiry as central conditions of life. Finally, Hello? underpins the philosophical position that meaning is not fixed but continually shaped by experience and interpretation. By leaving questions unanswered, BemiStudi0 allows space for reflection and personal engagement, encouraging viewers to confront their own uncertainties and unresolved moments. The painting, like the symbolic series as a whole, affirms that uncertainty is not a weakness but a defining aspect of human existence. Through this open-ended approach, BemiStudi0’s work successfully bridges art and philosophy, offering a contemplative space where thought, emotion, and lived experience intersect.

This Piece was written by: Faida Samuel

Critic & Curator

Department of Fine Art 

Faculty of Environmental Design 

Ahmadu Bello University, Zaria 

faidasamuel@gmail.com

Nigerian producer NYRP (Not Your Regular Producer) has officially released his first single of the year, “Take Control,” featuring Nigerian vocalist Shorae Moore and Colombian artist EL RM. The record marks a bold new chapter for NYRP as he continues to position himself as one of the leading African producers driving cross-continent collaborations.

“Take Control” is a smooth, emotionally charged Afro-pop record built on confidence, vulnerability, and emotional clarity. The song seamlessly blends Shorae Moore’s soulful Nigerian delivery with EL RM’s textured Mexican influence, all brought together by NYRP’s polished, globally-minded production style.

With this release, NYRP intentionally stretches beyond regional boundaries, pairing African and Mexican artistry on the record a move that reflects his growing vision of African producers as cultural connectors in global music conversations. Rather than following trends, NYRP is actively shaping a sound that travels across borders while remaining rooted in authenticity.

“Take Control” arrives on the back of a strong 2025 run for NYRP, whose catalog continues to grow quietly but impactfully. Over the past year, he has worked across records and projects with L.A.X, Taves, Ayo Maff, Jinmi Abduls, Candy Bleakz, King Perry, Terri, and several rising artists.

An alumnus of the Sarz Academy, NYRP’s sound is shaped by both technical excellence and deep musical roots. His journey began in the church choir at age seven, evolving through live instrumentation before transitioning fully into music production and songwriting a background that continues to inform his layered and intentional approach to music.

With “Take Control,” NYRP opens the year not just with a new release, but with a clear statement of intent: African producers can lead global collaborations, not just participate in them.

LISTEN TO “TAKE CONTROL NOW”

 Multidisciplinary artist Vyn Lorenzo, visionary painter, fashion creator, and musician, takes a major step in his international career today by announcing the signing of an exclusive global management deal with multi-Grammy producer and world-renowned artistic strategist DannyBoyStyles

                                 

Under this groundbreaking partnership, DannyBoyStyles becomes Vyn Lorenzo’s exclusive global creative manager and strategic partner, overseeing the development of his music, art, and cultural presence worldwide. At the same time, Navarro W. Gray joins as Vyn Lorenzo’s lead lawyer and business manager, handling all legal, contractual, and financial aspects of the artist’s projects.

This dual-structured team combines creativity, strategic guidance, and legal security, providing Vyn Lorenzo with a solid platform to reach new global audiences.

Vyn Lorenzo: A Creator Who Transcends Disciplines

Vyn Lorenzo has established himself as a singular artist, blending contemporary painting, fashion, design, and music into bold and immersive experiences. Every project reflects his unique identity, where aesthetics and emotion converge to create works that resonate visually and culturally.

With DannyBoyStyles’ strategic guidance and Navarro W. Gray’s legal and business oversight, Vyn Lorenzo can structure his career while maintaining complete creative freedom.

DannyBoyStyles: A Top-Tier Creative Partner

Multi-Grammy award-winning producer DannyBoyStyles has shaped some of the most influential musical projects of the past decade. His ability to craft distinctive sonic universes and develop international careers makes him an ideal strategic ally for Vyn Lorenzo.

Among his landmark collaborations are The Weeknd (Kiss Land, Beauty Behind the Madness), Beyoncé (6 Inch – Lemonade), and projects with Juicy J, French Montana, NAV, and Belly. These successes have cemented his reputation as a masterful architect capable of elevating artists to global recognition.

Simultaneously, Navarro W. Gray supervises legal protection, contracts, partnerships, and financial strategy for Vyn Lorenzo. His role ensures that every creative or commercial initiative is secure, sustainable, and aligned with the artist’s international ambitions.

A Comprehensive Global Strategy

This strategic partnership offers Vyn Lorenzo:
• Creative direction and global management: DannyBoyStyles
• Legal and business management: Navarro W. Gray

By combining artistic vision, international networks, and legal expertise, Vyn Lorenzo enters a new phase where visual art, music, and branding converge to create a strong, cohesive global presence.

Towards Enhanced Global Recognition

With DannyBoyStyles and Navarro W. Gray at his side, Vyn Lorenzo reaches a historic milestone, solidifying his position among the most influential figures in contemporary art and global culture. This collaboration represents the perfect fusion of creativity, excellence, and strategic vision, paving the way for new collaborations and sustainable worldwide impact.