Rising Nigerian singer and songwriter Joharry bridges the gap between late-night vulnerability and early-morning ambition on his latest two-track release, DAWN, available now on all streaming platforms.

Featuring "LAST NIGHT" and "MULLER," the 5-minute, 41-second project moves seamlessly from the blurred, alcohol-soaked confessions of 2:15 AM to the laser-focused grind of chasing the bag before sunset.

Blending Afro-soul, contemporary R&B, and bouncy street-ready Afropop, Joharry uses DAWN to tell two halves of a familiar Lagos story; what happens when the drinks lower your guard, and what happens when you wake up locked in on your paper.

"LAST NIGHT" opens the project in the thick of a hazy night out. Built around the hypnotic, repeating Yoruba hook "Kini wa mo fe shey bayi" ("What am I going to do now?"), Joharry sings about Hennessy pouring, losing composure as the music plays, and the raw honesty that slips out at quarter past two in the morning, the kind of confession you bet the other person won't even remember when the sun comes up.

"MULLER" flips the mood entirely, trading late-night intoxication for pure tunnel vision. Over an infectious,upbeat bounce, Joharry makes his priorities clear: "She said do you love me / The only thing I love is my money." From referencing Naira notes over dollars ("Obafemi no be Benjamin") to vowing to stack his paper "like Mount Everest" until he has funds for emergencies, privacy, and everything in between, "MULLER" is a relentless hustle anthem made for early risers, late-night drivers, and anyone refusing to let their river run dry.

Reflecting on the inspiration behind the project, Joharry shares: "There’s a certain hour when the night has said all it needs to say, but the morning hasn’t quite found its voice. A moment suspended between what was and what could be. Where memories linger, desires take shape, and the mind wanders towards everything it has yet to become.

Two stories live within this moment. One born out of the pleasures, intimacy and mysteries of a night that leaves you wondering how it all unfolded. The other, driven by hunger, ambition, and the pursuit of a life that refuses to leave your imagination. Different experiences. Different states of mind. Yet somehow, they find common ground. I call it DAWN.

Perhaps it’s the aftermath of one experience and the beginning of another. Perhaps it’s a reminder that there’s always something waiting on the other side of the night. Whatever it means to you, I hope you find a piece of yourself in it."

That ability to hold two contrasting moods in one breath is something Joharry, born Harrison Joseph Chibuike on April 8, 1999, has been refining for years. Rooted in a background of choir training and church-honed vocal warmth, he has steadily built a reputation for blending English, Pidgin, and Yoruba into candid, emotionally rich storytelling. From early records like "Swit Loving" and "Farabale" to standout releases like "Come Closer," "Reflection," and his 2026 single "I.B.Y.P," he has consistently balanced soulful depth with street-smart energy.

DAWN arrives as the clearest distillation of that journey yet, bringing together the emotional depth of his church-trained, Afro-soul roots and the unapologetic hunger of an artist stepping fully into his next chapter. Whether soundtracked at 2:00 AM with a glass in hand or at 7:00 AM en route to the next cheque, DAWN meets listeners right where real life happens. With more music and live appearances on the horizon, Joharry invites listeners into this new era, encouraging them to press play, sit with both sides of the story, and find a piece of themselves in the transition.

DAWN is available now on Spotify, Apple Music, Audiomack, and all major digital streaming platforms.

Stream DAWN on Spotify

The DX Music International signee explores the excitement and vulnerability of falling for someone on his latest release.

Sometimes, a feeling is too strong to put into words. For Tiimie, that feeling finds its expression in music with “Oh Darling,” his latest single, now available via DX Music International.

Marking a fresh chapter in his musical journey, the new release sees Tiimie lean into the softer, more romantic side of his Afro-fusion sound. Built around soulful melodies, expressive vocals, and contemporary African rhythms, “Oh Darling” captures the excitement of attraction and the vulnerability that comes with developing genuine feelings for someone.

Rather than overcomplicating the emotion, Tiimie allows the music to do the talking. The record embraces the little things that make falling for someone special: the unexpected chemistry, the desire to be closer, and the feeling of having someone constantly on your mind.

With its warm sonic direction and melodic appeal, “Oh Darling” offers an easygoing yet emotionally engaging listening experience, showcasing another dimension of Tiimie's artistry while reinforcing his ability to connect through melody and feeling.

As he continues to carve out his place within the Afro-fusion landscape, Tiimie invites listeners to experience a record that celebrates affection, connection, and the beauty of letting your guard down.

“Oh Darling” is out now via DX Music International on all major streaming platforms.

For Nigerian singer and songwriter Sedaze, music has always been more than entertainment. It is an avenue for expression, connection and finding purpose. That philosophy takes centre stage on his forthcoming four-track EP, BLACK SENSATION.

Born David Adesanya in Ogun State, Sedaze's journey began in the church, where singing in the choir and participating in musical competitions helped him discover his passion for music.

Years later, after balancing his creative ambitions with academic pursuits at the University of Lagos and the University of Stirling, he continues to build his identity as an independent artist driven by consistency and belief in his craft.

His latest project reflects that journey through four records that explore the complexities of love, relationships, faith and personal growth.

Led by Aayanfe, a playful and romantic celebration of attraction, the EP moves into nostalgic territory with ‘Ranti’, a heartfelt recollection of the moment a special connection began. ‘Let Me Go’ offers a more vulnerable perspective, confronting the emotional weight of toxic relationships and the courage required to walk away.

The final track, ‘O.Y.O (On Your Own)’, brings the project to an uplifting close, combining heartfelt prayers for a better future with an infectious, celebratory sound. It captures the importance of faith, resilience and maintaining hope through life's uncertainties.

Across the project, Sedaze blends Afrobeats, Afropop and Afrosoul, incorporating Yoruba and pidgin English expressions to deliver music that feels personal while remaining relatable.

With this release, Sedaze invites listeners into his world, offering four different perspectives on life, love and the journey towards becoming a better version of oneself.

BLACK SENSATION EP is out now on stream platforms. Listen here

 Following a steady run of releases, international performances and growing momentum throughout the year, Afro-fusion artist UWA returns with his newest single, “Fallin,” set for release on September 4.

Fresh off the success of his last single, Composure, UWA shows no signs of slowing down. From performing shows across the UK to consistently releasing new music and building anticipation around a rumored EP, his sound continues to become more polished with each release, developing an identity rooted in Afro-fusion, romance and luxury.

Arriving as summer comes to an end, Fallin captures the nostalgia of summer memories while setting the tone for the transition into fall. The record taps into the nostalgia-driven sampling becoming a defining element of Nigeria’s new-age scene, blending modern production with influences reminiscent of early-2000s Afropop.

At its core, Fallin is a romantic record, but its infectious production and rhythm keep it just as fitting for the club. The result is a song that feels nostalgic yet current, bringing together different eras of African music through UWA’s evolving sound.

Fallin represents Afro-fusion at its finest — blending new-age sounds with early Afropop influences while continuing to establish UWA as part of a new generation pushing the sound forward.

“Fallin” by UWA is available September 4 on all major streaming platforms.

Music And Moments with Egertton

Issue 16.0   Sep. 2026

Interview conducted by: Kolade Motirolaoluwa

Design: Chiagozie Mbuba Tochukwu  

Q: To fans,lovers and even people that are meeting you for the first time,who is Egerrton?

A: Egertton is a musician and an all round creative. But basically,I am into music.

Q: Your style of music one would say isn’t normal as it can be seen as unique. How do you describe your music?

A: I feel like my music is unapologetic and there is no direction to it. When I wake up in the morning,I always thank God for versatility. I listen to a lot of songs and I realize that I am able to take things I need to take out of each genre and form  something. Also,at the end of the day,I am a Benin boy which might make my music to be termed as Afrobeats. But apart from that,I feel like I can’t be boxed in my music because I do whatever I want with it.

Q: You are from Benin, Edo State, a place known for hustlers. Would you say this has shaped your music style in any way?

A: Definitely because the times I spent in Benin were very questionable. It was at a time where I understood little to nothing that was happening around. Benin also has various rules and regulations that govern it. So,being a Benin boy definitely made me want to work harder because where I used to stay,by 5-6 am,people are already up for their daily hustle and this definitely impacted me.

Q: You recently dropped your self titled mixtape “Egertton”. It is perceived that any project titled after the artist tends to carry an even deeper story. What is the story behind the mixtape “Egertton”?

A: The main purpose of the mixtape was to reflect on myself. Before the mixtape,I already had singles but I felt like people didn’t really know who I was. I should have dropped the project since but I kept pushing it. However,the main purpose was to focus on me and make people see me for me. Basically,it was me being unapologetic.

Q: What do you intend for your fans to feel when they listen to Egerrton?

A: My spirituality. I feel like music is deeper than you think and I want my fans to feel that. I don’t know how to half bake things so depth is definitely one thing I want my fans to feel.

Q: Is there a song you desperately wanted to make it to the Final Cut of the mixtape but it didn’t?

A: Yes,there was one but I was in a back and forth with my team but then I realized that I shouldn’t add it. It was a freestyle titled “Bad baddie baddest” and it was just a song I made off vibes in the studio. I don’t regret not adding it to the mixtape though because I feel like the project is perfect the way it is.

Q: Although artists often tend to say they love every song equally,we know they often have secret favorites. What is your favorite track off Egerrton and do you have a particular reason for liking it?

A: It changes but right now,my favorite track is “Gangster”. I like it because it is so unapologetic and it reminds me of 2016.

Q: What is your favorite “Mama,I made it” moment?

A: Hmm,that is actually deep because I have so many instances. I would definitely say times when I am out with my mom and fans come to meet me or times when I give my mom bundles. 

Q: You are a diverse artist that likes to dabble into different genres and emotions,however on two tracks on Egerrton,we saw your lover boy side more. Tell us more about this.

A: It was actually three: 16 missed calls,Body Sparkle and Midnight. 16 missed calls was basically just about me being too busy with my music career and ignoring my dating life. With Midnight,It was a song with Indi and although it wasn’t our first song,it just felt like that song and it is a plus that it gives me Disney vibes. Body sparkle was however recorded about 2 years ago but I definitely knew it was going to be on this project.

Q: What was the post production process of the mixtape like? 

A: The post production process wasn’t chaotic. I mean,I can’t really explain how I pick my songs but I feel like my team and I have an understanding with regards to the songs that need to go on the project. I have also learnt how to nurture music and realize that at the end of the day, post production doesn’t have to something too serious. It is more about fun for me.

Q: We know you are proudly a Benin boy but you now stay in Lagos. Tell us a bit about your journey as a Benin boy now surviving in Lagos.

A: One thing about Benin boys is they have a third eye. Benin boys are always active and hustling and I feel like that is why when you see most Benin boys in Lagos,they are always rich. It is a case of no one can really run you street.

Q: When you dropped Egerrton,what did you think the reaction from your audience would be like? And did their reaction differ from the one you had in your head.

A: I feel like everyday,I keep hearing people speak about the project. I mean left to me,I would want the project on a hundred million streams right now but apart from that,I wanted the listeners to see the depth in the project and this has been the case because my core listeners have been hooked on it from first listen. So I feel like they took it the way I wanted it.

Q: You are perceived as a very stylish person,reflects both in your person and your music. If you were to describe your style in three words,what would it be?

A: I would say unapologetic,rebel and Egertton. I say rebel because I feel like what I wear,no one else can wear it. I mean my waist is a size 28 so I can wear anything I want to wear.

Q: You were a child model and you have now morphed into several other things. How do you think your early introduction into the showbiz industry has shaped you?

A: I hated modeling as a kid because it was always a long process. I just go,do my thing and leave but it was nice because I was getting paid. So it helped me loosen up and be more comfortable in front of the camera. I mean,I remember doing an advert for Haier Thermocool and just letting go of my shyness and actually just being myself. So it has really shaped me which is all thanks to my mum.

Q: Is there one thing about your culture you wish you could incorporate more into your music?

A: Yes,the language. I feel like Benin is such a complex language and even when I am speaking the language,I always try to exercise a bit of poetic license with it except for key words or phrases. It is funny because I used music to learn bini with my mom’s help.

Q: You held a listening party for Egerrton. What was the feeling like?

A: First off,the listening party was one of the most stressful days of my life. We had to change location about three times and it was packed. I even had to perform the project from top to bottom 6 times because more people kept coming in. But I was really grateful for that day and it felt really good.

Q: What is the craziest thing you have done as an artist:

A: I feel like working for crazy hours. I mean I have done a session for 10 hours then had 5 back to back shows in the same night. That is probably the craziest thing I have done because I fell sick after that. It also made me realize that body no be firewood.

Q: What is your favorite thing about being an artist?

A: Apart from recording music,I would say performing music. Right from childhood,I have always loved performing and it has translated into adulthood. I genuinely don’t believe there is a better feeling.

Q: What is your pre show ritual?

A: I would always smoke a blunt,then pray,then go on stage.

Q: What is your favorite food?

A: That is actually a hard question because I would normally say fries but I don’t really eat that right now so I would say my favorite food is Yam and egg sauce.

Q: If you could say just two lines to yourself from 5 years ago,what would it be?

A: I would just say don’t be in your head so much and keep working.

 Ghanaian rapper and singer Humphrey Amponsah Dadzie, professionally known as HA-DI, has released a two-track project titled “Tell A Man”, featuring the songs “Wicked One” and “Saman.”

Rooted in the Ghanaian tradition of storytelling and sharing wisdom through conversations, “Tell A Man” Is a reflective body of work that uses music as a tool for dialogue, introspection, and understanding. The project captures HA-DI’s ability to transform real-life observations and cultural experiences into meaningful stories that connect with listeners on a deeper level.

Blending elements of Afro, Dancehall, Reggae, Rap, and Highlife, the two-pack explores themes of human experiences, personal choices, societal judgment, influence, and the legacy people leave behind.

The first track, “Wicked One,” challenges the way society quickly labels people without understanding their full stories.

Inspired by real-life experiences, HA-DI explores how a person’s environment, upbringing, struggles, and circumstances can influence their journey. The song draws a comparison between a seed planted on rocky ground and one planted in fertile soil, highlighting how different conditions can shape different outcomes.

While acknowledging that individuals must take responsibility for their actions, HA-DI encourages listeners to approach people with empathy and understanding before passing judgment.

“The Wicked One” serves as a reminder that behind every person is a story, and sometimes the battles people fight is hidden from the world.

The second track, “Saman,” explores the idea of influence and the lasting impact people leave behind.

Traditionally associated with spirits of the departed, HA-DI reimagines the meaning of “Saman” by reflecting on the invisible footprints created by the living through their words, actions, and decisions.

The song questions the kind of legacy people are building every day and encourages listeners to consider how their presence affects those around them.

Through its storytelling approach, “Saman” reminds us that our impact is not only measured by what remains after we are gone, but also by the lives we touch while we are here.

With “Tell A Man,” HA-DI continues the tradition of Ghanaian storytelling by creating music that goes beyond entertainment — music that sparks conversations, encourages reflection, and leaves listeners with lessons they can carry forward.

“Tell A Man” Is available now on all major streaming platforms.

Following the release of ‘Oluwa’ earlier this year, Nigerian Afrobeats artist Lambamills continues his impressive run with a brand-new single titled ‘Poverty’.

The record sees Lambamills deliver another infectious Afrobeats offering, blending captivating melodies with heartfelt storytelling and vibrant production. Produced by Robin Marni and Tega Starr, ‘Poverty’ showcases the artist’s evolving sound while maintaining the authentic style that has continued to resonate with listeners.

Building on the momentum of ‘Oluwa’, ‘Poverty’ marks another step forward in Lambamills’ musical journey, highlighting his consistency and versatility as one of the exciting emerging voices in Afrobeats. With its polished production and memorable delivery, the single is poised to connect with both longtime fans and new audiences alike.

‘Poverty’ is now available on all major streaming platforms.

UWA is back. Fresh off a major run of shows across the UK, the Toronto-based Afro-fusion artist returns with “Composure”, a silky, summer-ready Afroswing and Afro-R&B record that arrives right on time.

“Composure” is the first release since UWA expanded internationally, and it lands like a statement. Over the past few months, he’s been locked in, performing across the UK, connecting with new audiences, and refining a sound that already had people paying attention. This record is the proof of work.

The song is exactly what the name says. Confident. Flirtatious. Effortless. It captures that specific summer feeling; the kind of track that comes on and immediately sets the mood. There’s an ease to it that sounds intentional, not accidental.

“This record is just meant to feel like summer,” UWA says. “I wanted it to feel smooth in a way that you can tell it’s from me but still catchy, like one of those songs, you hear once during summer, and it just sticks with you.”

UWA sits right at the intersection of the UK Afroswing sound and modern Afro-R&B, a lane he’s carved out for himself. The diaspora is watching, the numbers are moving, and “Composure” is a reminder that the best is still ahead.

“Composure” is out now on all streaming platforms. 

Meet Valentyno: An Artist Redefining Individuality Through Music

In a musical landscape often driven by trends, Valentyno stands out by embracing authenticity. The emerging artist is steadily building a name for himself through music that reflects his personal experiences, creative instincts, and unwavering commitment to self-expression.

With a sound that balances emotion, vulnerability, and contemporary alternative influences, Valentyno creates records that feel both personal and relatable. His artistry is rooted in honesty, allowing listeners to connect with the stories, moods, and emotions woven throughout his music. 

Fresh off the release of his two-track project, RIDE OR DIE & SML, Valentyno continues to showcase his versatility and creative vision. The release offers a glimpse into an artist who is unafraid to experiment, explore new sonic territories, and challenge conventional expectations while remaining true to himself.

More than just making music, Valentyno is focused on building a lasting connection with his audience. Through thoughtful storytelling, distinctive aesthetics, and a growing catalogue of work, he is cultivating a community that values originality and genuine artistic expression.

As he continues to evolve and expand his reach, one thing is becoming increasingly clear:

Valentyno isn't following a blueprint, he's creating his own lane, one record at a time, and inviting listeners into a world that is uniquely his.

 In an era where Afrobeats is expanding across continents and charts, few emerging artists are building worlds as deeply personal and culturally intentional as ORCH.

Born Peter Uchechukwu Imo, the Nigerian artist is more than a musician; he is a storyteller, cultural observer, and emotional archivist. Standing at 6'3" with a commanding presence and unmistakable baritone vocals, ORCH has begun carving out a lane that blends introspection, spirituality, African folklore, and contemporary Afrobeats into something entirely his own.

At the core of ORCH's artistry is duality. The loss of his father at the age of eight remains one of the defining moments of his life and creative identity. That experience continues to echo through his music, creating a delicate balance between grief and gratitude, absence and belief. His songs often feel like conversations between memory and hope, exploring the emotional landscapes that many listeners struggle to put into words.

Drawing inspiration from legendary figures such as Fela Kuti and Bob Marley, artists who transformed music into cultural movements, ORCH approaches his craft with a purpose that extends beyond entertainment. Literary influences, particularly the works of Chinua Achebe, further shape his perspective, giving his music a thoughtful depth that encourages reflection while remaining accessible.

His latest single, Oyibo Instructions, perfectly captures this artistic mission. Rather than offering a conventional Afrobeats record, ORCH delivers a bold commentary on psychological and cultural oppression. Inspired by the historic 1803 Igbo Landing, where enslaved Igbo people chose death over bondage, the song challenges listeners to question blind loyalty to oppressive systems and inherited ways of thinking. Built around traditional African folk influences and the haunting sound of the Oja flute, Oyibo Instructions demonstrates ORCH's commitment to preserving cultural memory while engaging contemporary realities.

Yet ORCH is not solely concerned with resistance. Previous releases such as Wonder and No Matter The Mood showcase a more introspective side, exploring resilience, self-belief, and emotional healing. Together, these records reveal an artist comfortable navigating vulnerability without sacrificing strength.

This thematic depth extends into his forthcoming project, I Wish You Came Earlier (IWYCE). Described as an "Early Prophetic" body of work, the EP chronicles personal struggles, family bonds, loss, ambition, and eventual triumph. Each song contributes to a larger narrative, inviting listeners into a journey that feels both deeply personal and universally relatable.

Although still in the early stages of his career, ORCH's growing momentum is impossible to ignore. From generating viral moments during performances at Republic Bar to appearing at Spotify-powered Vibrate Workspace, he is steadily building a community that connects with both his message and his presence.

What makes ORCH particularly compelling is his refusal to separate culture from creativity. Whether drawing on ancestral stories, African spirituality, personal experiences, or social commentary, he creates music that feels purposeful. His work asks questions, challenges assumptions, and ultimately encourages listeners to engage more deeply with themselves and the world around them.

As he prepares for the release of I Wish You Came Earlier, one thing is becoming increasingly clear: ORCH is not simply introducing songs into the world. He is building a legacy rooted in meaning, memory, and African creativity.

And for those only discovering him now, his upcoming project's title may soon feel less like a name and more like a realization: I Wish You Came Earlier.