Creative Currents With Bemistudi0 
Issue 8.0  Mar. 2026
Interview Conducted by Olulana Mofiyinfoluwa & Chiagozie Mbuba
Design by Chiagozie Mbuba

Bemistudi0 exists at the intersection of what can be seen and what can only be felt. Trained in Law, International Relations, and Medical Law; disciplines built on precision, definition, and doctrine and she has turned her practice toward something altogether different: the moment before thought becomes language, before perception hardens into certainty. Her paintings don't explain the human condition; they dissolve it back into its raw materials. Vibrant figuration blurs into abstraction, figures emerge and recede, and somewhere in between, the viewer catches a glimpse of their own mind at work. This is not art made to be understood. It is art made to be experienced.

Q. Can you take us back to the moment you first realized visual art was something you wanted to pursue?

A. I don’t think it was a moment, more like an accumulation of moments. It was gradual and then it just was.

Q. Walk us through your creative process; from the first spark of an idea to the finished piece. What does that journey typically look like for you?

A. Different paintings come to me in different ways. It varies truly. Personally, I don’t over think the process. I think one of the most important elements of the creativity is time. Time to develop an idea until it takes life of its own.

Q. Your work often blends abstraction with human figures. How do you translate feelings or experiences into visual language?

A. I don’t think about translating anything when i paint. I think about what’s true and then paint that. Truth in conception, truth in emotion, truth in thought. Whatever kind of truth it is… that's what I paint

Q. What moulds perceived reality, and how can I paint that?" - is a deeply philosophical one. How did you arrive at this as the driving force behind your practice, and has your answer evolved over time?

A. I think my craft in itself has evolved over time. With my art, It’s always been important for me to paint beyond what meets the eye. I’m fascinated with the human mind and how we understand the world around us.

Q. Your work positions thought and perception as forces that intertwine and shape each other. When you're mid-painting, do you feel that process happening in real time or are you thinking through the work as you make it?

A. This is an interesting question. I believe the connection between thought and perception is impalpable. I don’t necessarily believe it’s something we can “feel” but it’s often observed in hindsight. Painting is a wonderful way to master the art of complex thinking. I couldn’t say that I think about one thing or the idea of trying to “ make art” when I paint… art isn’t about art. It’s about life, so naturally I have a series of thoughts.

Q.  The human figure appears throughout your paintings, yet you're drawing viewers toward something intangible; the parts of humanity that resist simple definition. How do you decide when a figure has said enough?

A. It’s a balancing act. I try not to get in the way of what’s happening on my canvas. I let the work be. It’s vital to allow the create process. 

Q. You hold degrees in Law international relations and Medical Law, disciplines that are deeply concerned with defining the human condition in precise terms. How does that training sit alongside a practice that deliberately explores what can't be defined?

A. It creates beautiful dimension. I understand thoughts have the capacity to influence doctrines while creating establishments. Thoughts form and shape our relations and theories. My work seeks to dissect the genesis of this, in a sense. I find that there's a lot of depth to it. In the most beautiful way.

Q. Your work has been described as sitting between vibrant figuration and abstraction. Is there a tension there you're working with, or is that interplay the point entirely?

A. Yeah I have deep appreciation for abstraction. I think it yields power that’s quite unique.

Q. Looking ahead, what new directions or ideas are you excited to explore in your artistic journey?

A. I guess we’ll see lol

After tracing her path from the courtrooms of theory to the quiet authority of the canvas, one thing becomes clear: Bemistudi0 is not chasing answers. She is sitting with the questions, and inviting you to do the same. The work is still unfolding; the next direction kept close, with a quiet confidence that what comes next will arrive exactly when it should. What molds perceived reality? Step inside the painting and find out.

Olulana Mofiyinfoluwa
For Solid Guy Magazine

 

CREATIVE CURRENTS WITH QUADRI MORIN (QUADMOR)

ISSUE 7.0  Feb. 2026

Interview Conducted By Olulana Mofiyinfoluwa

Designed by Chiagozie Mbuba

ORIGIN & CREATIVE IDENTITY 

Q. In a world where noise often overshadows intention, you choose focus. What influences the stories you tell visually? 

A. My visual stories are influenced by real-life experiences and moments of quiet reflection; the internal conversations people rarely express but constantly live with. I have experienced and observed the tension between who we are expected to be and who we are becoming. Decluttering has also become my way of resetting, so visually I am always asking; what truly matters here, and what can be stripped away without losing meaning? 

Q. How would you describe your creative journey so far, and what experiences have shaped your voice as a digital artist? 

A. My creative journey started as a form of expression for my inner dialogues. These dialogues push me to listen deeply and observe behaviors and patterns around me, while trying to understand the context behind them. Over time, art became the space where I could explore these questions without needing clear answers. Living and working across different creative disciplines has also helped shape a voice that is both reflective and intentional. 

RESTACKING THE ODDS – THE CONCEPT 

Q. Why was this the right time to tell this story through an exhibition? 

A. Honestly, the right time to start this conversation was many years ago. But for this exhibition, it felt right because I realized that self-empowerment is not something that is done and dusted; it is something we return to every day. I wanted people to recognize and appreciate that reality in their own lives. Many people are silently renegotiating their lives; redefining success, healing from setbacks, and questioning narratives they once accepted. My exhibition allows for pause. Unlike fast digital consumption, it invites people to stand with discomfort and possibility. Restacking The Odds needed physical space because the conversation it starts is internal, slow, and reflective. 

Q. What emotional or psychological states were you exploring while creating these pieces? 

A. I was exploring uncertainty, self-doubt, and quiet determination. There was a recurring tension between exhaustion and hope; between destinations and starting points. Many of the pieces emerged from moments where I felt stuck, yet aware that staying still was also a choice. Psychologically, the work reflects the process of reframing situations as motivation rather than failure.

 

Q. Walk us through your creative process; from idea to final piece.
A. The process usually begins visually. Emotions create a mental image in my head, and I reflect on the question that image might be answering. I sketch loosely and sit with the idea until it fully forms. From there, I experiment visually with characters, line work, and color. The final stage is about restraint; knowing when to stop, when the piece has said enough without over-explaining itself. 

SELF-EMPOWERMENT & RESILIENCE 

Q. Have you had moments where you had to “restack the odds” in your own life? 

A. Oh yes, many times; often in subtle ways rather than dramatic ones. Restacking the odds has meant choosing what I believe in over what I was taught to believe, redefining success on my own terms, and continuing to show up creatively even when outcomes were uncertain. It is less about winning and more about showing up honestly. 

Q. What does “reclaiming your story” look like in today’s world? 

A. Reclaiming your story today means disengaging from constant comparison and external metrics. It means deciding who gets to define your worth. In a world that rewards performance, reclaiming your story is choosing presence, self-awareness, and authorship over approval. 

DESIGN, STORYTELLING & PROCESS 

Q. Are there specific visual elements or motifs we’ll see repeatedly in this exhibition? 

A. Yes. You will see repetition through fragmented forms, and occasionally polka dot motifs. These elements reflect disruption, emotion, and movement. Nothing is accidental; each repetition reinforces the idea that growth is not linear, but iterative. 

IDENTITY & EMOTIONAL TRUTH 

Q. What conversations do you hope Restacking The Odds sparks around self-awareness and inner growth? 

A. I hope it sparks conversations about personal accountability without self-blame. About recognizing patterns, unlearning inherited narratives, and creating space for emotional honesty. The work invites viewers to ask themselves; where am I still playing by rules that no longer serve me?

 

Q. Is there a particular piece in the exhibition that holds the most personal meaning for you? 

A. Yes. There is one piece that emerged during a period of deep uncertainty. It represents a turning point; not because everything became clear, but because I chose to continue without clarity. That decision changed how I approach both art and life. 

THE EXPERIENCE 

Q. What should visitors expect to feel when they walk into the exhibition space? 

A. Visitors should expect a sense of stillness, reflection, and quiet confrontation. The space is designed to slow you down. Ideally, people leave feeling seen rather than instructed; challenged but not judged. 

IMPACT & LEGACY 

Q. What does success look like for you beyond numbers and recognition? 

A. Success looks like resonance. When someone recognizes themselves in the work and feels less alone in their internal struggles. It is about depth over reach; impact over applause.

 

Q. How do you hope your art empowers others navigating their identity? 

A. I hope the work reminds people that identity is not fixed, except for biological identity. It is permissible to evolve, to question, and to start again. Empowerment comes from realizing you are allowed to choose to redefine yourself at any point.

 

Q. What message do you want people to leave with after experiencing your work? 

A. That setbacks are not verdicts and Life is always about choosing. Not choosing to take control of your life and destiny is also a choice to not be in control of your life and destiny. That sort of awareness is power. And that restacking the odds often begins with an internal decision long before any external change appears.

LOOKING FORWARD 

Q. How has Restacking The Odds changed you as an artist and as a person?

A. It has made me more honest. I am less concerned with perfection and more committed to truth and expression. As a person, it has reinforced the importance of patience; trusting the process both creatively and personally. 

Q. Where do you see your creative journey evolving in the next few years? 

A. I see my practice expanding across mediums; combining art, design, and storytelling in more immersive ways. Restacking The Odds also has a documentary coming up. This came from questions that could not sit on the wall with the art; questions that needed real people and real stories to make a deeper impact. I am interested in building experiences that live beyond galleries; spaces where reflection, community, and growth intersect.

Creative Currents with Barbara Alli

Issue 5.0 Sep. 2025

Interview Conducted by Motirolaoluwa Kolade

Design by Chiagozie Mbuba

Q. Who is Barbara Alli?

A. Barbara Alli is a singer, songwriter, fashion designer, and storyteller. At my core, I am a woman who believes in using creativity as a tool to inspire, uplift, and connect people. I like to describe myself as a dreamer and a doer, someone who channels her African roots and global experiences into music and art that speaks to the heart.

Q. Your style of music (Afro-soul) is peculiar. What inspires your music?

A. My inspiration comes from life itself; from my journey, from people’s stories, from love, faith, and even struggles. Afro-soul allows me to blend African rhythms with heartfelt emotions, creating music that is both deeply rooted and universally relatable. My greatest inspiration is the desire to heal and to give hope through sound.

Q. You have been quite an adventurer. From being born in Ghana, to growing in Nigeria, and now living in Vienna. Would you say that influences your creative process?

A. Absolutely. Each place has shaped me. Ghana gave me my cultural foundation, Nigeria gave me strength, energy, and resilience, and Vienna exposed me to diversity, art, and new perspectives. All of these experiences influence my sound, my lyrics, and even how I perform. I like to think of my music as a bridge between Africa and the world.

Q. Your new single, ASIKO which means “time” in Yoruba; what was the inspiration behind the title?

A. ASIKO came from a place of reflection. I was thinking about how everything in life has its own timing — whether it’s success, healing, love, or even pain. Sometimes we want things to happen quickly, but God has His perfect time. That’s what inspired me to call the song ASIKO. It’s a reminder that we are exactly where we need to be at this moment.

Q. You have said ASIKO is a very emotional piece for you. How was the creative process through the writing and recording of the song?

A. It was a very emotional and spiritual journey. I wrote ASIKO during a period of transition in my life, so every word carried a piece of my soul. Recording it was almost like therapy for me — I had to be vulnerable and honest, and I allowed myself to feel every emotion while laying down the vocals.

Q. Was there any point during the creative process that stuck out to you or made you almost give up?

A. Yes, there was a point where I questioned myself  wondering if the world was ready to hear such a vulnerable side of me. But that doubt was exactly why I knew I had to release it. Music isn’t about perfection; it’s about truth. That realization pushed me to keep going.

Q. What is your biggest motivation to keep releasing music?

A. My biggest motivation is the people. Every time someone tells me that my music gave them strength, peace, or joy, it reminds me of why I started. Music is my gift, and I feel a responsibility to share it with the world.

Q. As a personal piece to you, when people listen to ASIKO, what do you expect them to feel?

A. I want people to feel hope. I want them to know that even if life feels delayed or uncertain, their time will surely come. ASIKO is about patience, faith, and trust in God’s timing. If listeners walk away with that reassurance, then I’ve done my job.

Q. What is one event that has stuck out to you since the release of ASIKO?

A. One moment that touched me was when a fan reached out and said the song helped them through a very difficult season. That feedback reminded me that music is bigger than charts or numbers; it’s about touching lives.

Q. What’s next for Barbara Alli? Should we be expecting a new single, concert, or anything?

A. Yes, there’s so much in the works! After ASIKO, my ILEYA is coming soon, and it’s a body of liberation and empowerment. I’m also planning live performances and collaborations that will allow me to connect with my fans more closely. The journey has just begun.

Q. What is your advice to people, especially women, who want to get into the entertainment or music industry but feel like it is too constricted?

A. My advice is: do not wait for permission to shine. The industry has its challenges, but your uniqueness is your power. Stay true to your vision, surround yourself with people who believe in you, and never underestimate the strength of consistency. As women, our voices matter, and the world needs to hear them.

Creative Currents With Efue 

Issue 4.0 Sep. 2025

Interview conducted by Olulana Mofiyinfoluwa 

Design: Chiagozie Mbuba

Q. ​For those meeting you for the first time, who is Efue; both as an artist and as a person?

 A. As a person, I am an introvert who enjoys her own company, loves to read books, watch anime, and write. I generally prefer to be an observer rather than the subject of observation. I am also always full of questions and emotions, and this leads me to who I am as an artist. I like to write about my personal experiences and feelings. Since I am often very emotional, I sometimes find it difficult to express myself, but turning what I feel and what I experience into a song helps me. Efue the artist is a reflection of all the thoughts I do not say out loud.

 

 Q. Can you take us back to your earliest memory of connecting with music? When did you realise this was more than just a hobby?

 

A. I can’t say I can pinpoint a specific time period when I decided to take music seriously. I’ve always loved music, I grew up with music lovers. My mother said she named me praise because she knew I was going to sing. I grew up a church kid and I was in the children’s choir, so it’s something I’ve always been surrounded by, loved and wanted to do. 

​

Q. Your music blends Afro-fusion with elements that feel soulful and alternative. How would you personally describe your sound?

 

A. I think I’m in a very experimental stage right now.  I’m trying to slowly push my limits and see how many directions I can take my sound. I don’t have a name for it yet because I don’t want to put myself in a box. 

Q. What does a typical studio session look like for you; chaotic experimentation or intentional structure?

 

A. My studio sessions largely depend on what the mood is like on that particular day. Sometimes I hear a beat and start writing immediately. Record and finish a song. Sometimes, I spend hours, days, weeks, months on one beat, writing and rewriting until I’m satisfied. I don’t particularly have a set process. It can be anything.

 

Q. Memorabilia marks a huge milestone in your journey. What story does this project tell about where you are in life?

 

A. 2024 was one of the most trying years of my adult life and every song on memorabilia except for HISTORY, was written in 2024. I was alone with my thoughts most of the time and had a lot going on. I wasn’t very willing to speak to anyone about it though so I wrote a lot of songs that helped me make sense of it and some of these songs made it to MEMORABILIA. HISTORY was also written at a point like that, but in 2025. I think putting out this project has given me a sense of learning, growth, realisation and moving on.

 

Q. How did you approach balancing vulnerability and entertainment on this debut EP?

 

A. I take inspiration from personal life experiences a lot so vulnerability is inevitable at this point. But on the other hand, I love a good melody and something that makes you want to move your body. Having  all these elements in mind when I write a song helps me keep things in check so it isn’t too much of this or too little of that.

 

Q. Was there a particular track on Memorabilia that pushed you outside of your comfort zone?

 

A. No, I don't think so, or I wouldn’t put it that way. There was a lot of experimenting, trial and error with the songs so I can’t say that I was even in a comfort zone with any of them. At the end of the day, I enjoyed making them and I am extremely happy with the results.

 

Q. Who are some of your biggest musical influences?

 

Brandy, Jon Bellion, Wizkid, Sade

 

Q. If you could create your dream collaboration tomorrow, who would be on that track and why?

 

A. My dream collab would be with Jon Bellion. His music carried me through some of my confusing times as a teenager and pointed me in a direction that I liked, songwriting-wise, so being able to share a song would feel like coming full circle.

 

Q. How do you see your sound evolving in the next few years?

 

A. I want to keep exploring new things and experimenting with my music, allowing my sound to grow and stretch in as many directions as possible, constantly try out different ideas, styles, and approaches. I want to keep challenging myself and pushing the boundaries of what I can create, just to see how far it can go and how good it can truly become.

CREATIVE CURRENTS WITH UWA 

Issue 3.0 July 2025

Interview conducted by Olulana Mofiyinfoluwa 

Design: Chiagozie Tochukwu Mbuba 

Q. Let’s start at the roots — what sparked your journey into music, and how has it evolved from when you started to where you are now ?

A. Funny enough my journey with music started very young , I was always surrounded by music but it actually started cause I had a crush on a girl when I was younger and I was lowkey too shy to tell her so I used to write songs for her and ever since then it’s just been my outlet and the best way I could express myself . Overtime it became my therapy in a sense . My sound has evolved in so many different ways and the beautiful thing is that it’s still evolving , I first started off rapping and just generally experimenting different sounds but when I found afrofusion I knew it was the perfect sound for me to express my thoughts with.

Q. Afro-fusion is such a broad and dynamic genre. Describe your sound — and tell us what makes it uniquely “UWA”

A. Afro fusion is really home for me because it gives me the freedom to explore so many different sounds while still retaining my African roots . I don’t like to box myself to one particular sound but I always aim to retain my identity as an african artist because it’s my reality and Afro fusion allows me do that .  My sound blends different genres such as R&B , dancehall , Afrobeats and alternative music but what makes it unique to me is rawness in the delivery  . Whether I’m talking about love , ambition or loss I always like to make music that can be felt .

Q. Your lyrics feel deeply intentional — raw, reflective, sometimes romantic. Walk us through your creative process from the first idea to final track.

A. Honestly speaking whenever I’m creating I just go based off how I’m feeling at that moment or what’s on my mind and just express it in the best way I can . I don’t try to force or complicate it , I let my emotions and the music take control . I like my creative process as spontaneous as possible , It may seem wild but I believe there’s beauty in the madness.

Q. Balancing a finance degree with an active music career isn’t an easy feat. How do you manage that dual identity and does one ever influence the other?

A. It’s definitely been a juggle, but it keeps me grounded and makes the journey more intriguing . Studying finance gives me a different perspective of the industry. It’s helped me approach my music career with a business mindset. I’m not just creating art; I’m building a brand and identity . But music is where my heart is, and that passion fuels everything I do. So even when the days get hectic and I feel demotivated , I remind myself why I started this in the first place to keep me level headed .

Q. What are some of the real challenges you’ve faced as an emerging artist, and how have you navigated them?

A. Honestly I would say juggling school and work with music is one of the biggest challenges but as each day passes I’m learning to handle it better and getting better with time management . Also being an independent artist has been one of the challenges but I’ve learnt to believe in patience and consistency. Creating quality music without major label support and complete personal funding takes sacrifice , but I believe strongly  in  my long-term vision. I’d rather build slow and solid to establish a core community of people that are willing to grow with me than rush and fade.

Q. Let’s talk environment — how has living between Lagos and Toronto shaped the kind of music you make and the way you connect with audiences?

A. Lagos is known to be a very busy city , it gave me that hustle and “get it by any means “ mindset . Living in Lagos helped me cultivate the attitude of a dreamchaser. Toronto offered me a new perspective to my sound by virtue of me being an African in diaspora . Living in the 6ix helped me bring a more smooth and chill vibe to my music thereby creating a balance . My music is a blend of my experiences in both cities ; it has that groovy bounce of living in lasgidi and the chill of the 6ix.

Q. The Genesis Showcase Tour took you through Toronto and Lagos. What was your favorite place to perform, and which song do you love performing most ?

A. Both cities hold a special place in my heart, being able to perform in cities home and abroad at this point in my career is a blessing . There’s nothing like the energy of a home crowd in Lagos  but I would say Toronto was more intimate — people really listened. My favorite songs to perform right now are “belly dancer “ and “Bad Girl Riri “ . “Belly dancer “ has that bounce that gets people moving, When the beat drops and the crowd starts singing along — that’s a feeling I can’t explain. Whenever I perform “Bad Girl Riri “ it’s always this infectious energy that the crowd gives , it’s a lovely thing to experience.

Q. What’s been the most unforgettable experience so far on this musical journey?

A. I’ve had a couple unforgettable experiences but one that really stuck with me and felt surreal was probably my first radio interview and my song being played on radio for the first time . It made all the work that I’ve been putting in feel worth it . Also, seeing strangers sing my lyrics at shows — that’s always an experience I’ll never take for granted.

Q. You’ve been able to perform on the same stage with superstars like Joeboy and Len at such an early stage in your career how has that impacted and motivated you on your journey?

A. It’s an unreal feeling . Sharing the same space with artists I admire reminded me that I belong in this industry — that Its no longer a dream , It’s now my reality .Those experiences inspire me to move with more intention . Being in these environments gave me the push I needed to level up.

Q. The public has started paying attention — and for good reason. What else can fans expect from you for the rest of 2025? Any new drops, visuals, collabs?

A. Most definitely ! 2025 isn’t done I’m still warming up . I have a couple collaborations in the works and I’m also working on my first project at the moment and I promise you it’s worth looking forward to. We are only just getting started.

Q. Looking ahead, where do you see UWA — the artist and the brand — in the next five years? What legacy are you building, both sonically and personally?

A. In five years, I see UWA as a global superstar , I know  I’m destined to be one — but more than that, I want to be known for pushing the culture to greater heights . I mean no one lives forever but my aim is to create something that outlives me . Sonically, I want to keep pushing Afro-fusion forward and spread the beauty that lies in the sound . Personally, I just want to live life to inspire people and put my people on . I want to be a living testimony that with hard work and consistency you can accomplish your dreams and I’m on currently on that journey  , that’s the legacy I’m building - one of greatness.

CREATIVE CURRENTS WITH AMAEYA 

ISSUE 2.0 (JUN. 2025)

Interview Conducted by: Kolade Motirola 

Design: Mbuba Chiagozie Tochukwu 

.

Hello Amaeya, I am Tirola here for Solid Guy Magazine. I am super excited to have you here and I have a few questions for you about yourself and your career. Here we go.

Q. Can we have a brief insight into who Amaeya is?

A. Amaeya is a chill babe 

deeply introspective,  emotionally transparent person

Can be a little extra and fun too but in a controlled environment 

And my real name is Peace Amaefula

Q. What inspired you to start doing music?

A. I think I wanted to prove something to myself 

Click the box of I can do it if I wanted to 

Q. When you started your career as a musician,what would you say was your biggest motivation?

A. My family 

They are top of the list why I go all out like this 

Q. What is your biggest challenge so far in the music space?

A. The outside noise 

Sometimes it can be overbearing even though I consider my self as one not to listen it can be difficult to filter at times ,

And the era of music changing from being just art to becoming an exaggerated sensation has been difficult , I try to keep up still 

Q. Have you ever felt like giving up on music,like I don’t want to do this anymore? If yes,how did you handle it?

A. Lol I wanna give up everyday but everyday I don’t 

I don’t think there’s a special magic to it 

I just don’t give up , I wake and look for reasons to continue and if I can’t find I remind myself of yesterdays reason and hold on tight.

Q. Who is an artist that you love or admire a lot and would like to open for them at a show one day?

A. I love Sza it would be dope to share a stage with her

 

Q.  How do you handle negativity surrounding your craft?

A. I just don’t listen 

And honestly I don’t think I’ve got to the large scale where people feel opinionated yet 

Those kinds of stuff are more likely to happen when there’s a spotlight on you

Q. I stumbled on your Spotify Catalog and I must say your voice is powerful. How do you feel waking up every morning with a powerhouse?

A. Wow what a question 

I actually feel grateful 

There are days I wake up and the voice isn’t voicing the way it should but in those days I’m

Extra grateful 

Q. Your new song,”How do you” what is the inspiration behind it?

A. How do you is a subtle crash out song 

What is a better way to express your sad emotions but in the honesty of your words 

I felt a certain way about who I loved and penned it raw how it came to me

Q. What is a song of yours that is really dear to your heart? Like even if you were asked not to release it,you would have anyways.

A. Worth it 

Worth it is that song that has a really strong meaning.

I just knew when I wrote I definitely wanted the world to have it.

Q. A lot of fans feel like they know you based on your craft, what do you feel about that?

A. I actually I’m not so sure about this 

I probably need to be outside more to learn more about this topic

Q. Are you planning to release a new album soon or any body of work really?

A. I want to work on another project 

I’m still in the process of figuring it out 

But definitely there’ll be new music coming 

Q. How would you describe the kind of music you create?

A. Authentic and relatable 

Music that I can listen to and I actually like 

Whatever the genre 

I have to feel connected to it like I birthed it 

From the melodies to the lyrics and delivery 

Everything 

Q. Do you have any creative rituals? Like something you must do before you perform or even record?

A. No I do not particularly have a ritual ,

However I prep kinda depends on who’s in the room with me 

And my mood.

Q. Who would you like to collaborate with?

A. Everybody; Both home and abroad 

Q. What is your advice to anyone who is looking to get into the music space?

A. Just start 

It might take you a while to find your feet 

But if you keep at it and put God in the fore front you’ll get it 

Stay willing to learn and unlearn 

Be comfortable with all the changes that will happen 

But always have a mind of your own .