Showing posts with label News. Show all posts
Showing posts with label News. Show all posts


Africa arrived in North America with a record delegation and a record haul: nine nations reached the World Cup’s knockout stage, more than any previous edition. Within a week, most of that promise had been packed up and sent home. Senegal, South Africa, DR Congo, Ivory Coast, Algeria, Cabo Verde and Ghana all fell in the Round of 32, a run of eliminations that could easily have been the whole story of Africa’s 2026 — a record entry with nothing to show for it in the second week.

Instead, two teams are still writing theirs.



Morocco: The standard-bearer, again

If there’s a nation Africa has come to expect this from, it’s Morocco. Four years after becoming the first African and Arab team ever to reach a World Cup semifinal — beating Spain and Portugal along the way in Qatar — the Atlas Lions are back in the Round of 16, doing it the hard way. They needed penalties to get past the Netherlands after a 1-1 draw, conceding late before Issa Diop’s 91st-minute header forced the shootout Morocco eventually won 3-2. It’s the second World Cup running, and third overall, that Morocco have reached this stage.

There’s a swagger to how they’ve gotten here that goes beyond the results. Morocco arrived unbeaten through the group stage and have grown into the tournament with every match — a team that, in the words of their manager, knows exactly what’s at stake: “If we get things wrong, we’ll go home.” That’s the calculus for everyone left at this point, but few teams look less rattled by it than Morocco do.

Their reward for surviving Amsterdam’s ghost was a Round of 16 date with co-host Canada in Houston — a matchup that, on paper, looks lopsided. Morocco sit 24 places above Canada in the FIFA rankings, and this is a Canadian side making its first-ever appearance this deep in a World Cup. But it’s worth remembering Morocco’s run four years ago was built exactly on this kind of situational advantage-taking: a team that punishes hosts and favorites who think the hard part is over.



Egypt: History, on penalties

If Morocco’s story is continuity, Egypt’s is a genuine first. Beating Australia on penalties in the Round of 32 sent them into the Round of 16 for the first time since 1934 — a gap of 92 years, in what is still only the fourth World Cup Egypt have ever played in. For context: Mohamed Salah has spent his entire career playing at the highest level of European football without ever getting to do what his country’s team just did.

It didn’t come easily. Egypt needed a stoppage-time VAR offside call to deny Iran a spot in the group’s second-place finish, then ground through a goalless-after-90 tie with Australia that was, by Opta’s pre-match modeling, close to a coin flip. They took it 4-2 on penalties. There’s no dominant sweep in that story — just a team that kept finding a way to survive the moment in front of it, which is arguably the more Egyptian way to make history than a statement win would have been.

Their prize is a Round of 16 tie against Argentina, fresh off a bruising 3-2 extra-time win over Cape Verde in which Lionel Messi extended his own World Cup scoring streak to eight straight matches. Argentina have an imposing record against African opposition at major tournaments — they’ve lost only once to an African side at a World Cup since 1990. Egypt will be underdogs by any reasonable measure. But making history is often just about getting the invitation; what a team does with it is a separate story, and Egypt have already proven this tournament they don’t need to be favored to advance.


What’s actually being carried here

It’s worth being honest about what “Africa’s last standing” means in practice: two teams, two very different paths, and a continent’s hopes now riding on results that are as much about survival as dominance. Morocco represents continuity — a genuine contender continuing to prove 2022 wasn’t a fluke. Egypt represents possibility — a team without recent knockout pedigree showing that the door, once opened, doesn’t require elite quality to walk through, just nerve.

Whether either team reaches the quarterfinals will likely be decided by moments as small as a penalty save or a Messi masterclass. But for now, after a Round of 32 that could have ended African representation entirely, Morocco and Egypt have both bought their continent another matchday — and with the expanded 48-team format guaranteeing Africa a bigger seat at the table for tournaments to come, how far these two teams push in July may end up shaping expectations for years beyond this summer.



From June 28–29, 2026, Lagos State and its residents witnessed a major flooding event across several communities in the city. From the usual flood-prone areas like the Lekki-Epe Expressway and Obalende, to Apogbon, Mushin, Agege, Bariga, Gbagada, and many others — the floods caused a major disruption to the movement of people and goods. The situation was so severe that floodwaters forced the temporary closure of a terminal at Murtala Muhammed International Airport.

This was not just another rainy season inconvenience. Major road networks, residential areas, vehicles, businesses, and commercial establishments were all compromised, reigniting the conversation about whether Lagos — one of Africa’s megacities — is adequately equipped to protect its people.For Lagosians, water taking over roads during rainfall is nothing new. So why has this event become breaking news? The answer is simple: areas that never used to flood have now been compromised. The cause? A perfect storm of converging failures.



Flooding in Lagos is not the result of any single factor but a convergence of multiple overlapping failures. The most common include poor drainage infrastructure, citizen indiscipline in waste disposal, and the accelerating effects of climate change.

Much of the city’s existing drainage network was designed decades ago for a far smaller population and simply cannot handle the volume Lagos now generates. The city’s rapid population growth, combined with a mass increase in waste generation and inadequate waste management systems, has contributed significantly to blocked waterways. Climate change has made rainfall more unpredictable and intense, causing drainage systems to become overwhelmed within minutes of a downpour.

Here is where it gets interesting.

Lagos sits at the top of the national flood risk list due to its coastal geography, low-lying terrain, and high concentration of informal settlements located near waterways. Flash flooding is common in dense urban areas worldwide during periods of intense rainfall — and Lagos is one of the densest urban areas on the planet. What makes Lagos particularly extreme is not just the density of its people, but the density of its informal structures: buildings constructed without planning approval, streets never designed for the traffic they carry, markets that spill onto roads, and settlements that grew organically on land never zoned for habitation. As rapid population expansion continues, urban flooding will only worsen in cities like Lagos, where infrastructure development has consistently failed to match population growth.

Walk with me.



A rising lagoon. Yes, you read that correctly. The Commissioner for Environment and Water Resources has explained that high tidal movements often prevent drainage channels from discharging stormwater into the lagoon, resulting in temporary flash flooding. “Whenever there is high tidal movement, it may block the discharge points of drainage channels until the water level recedes. Such occurrences also cause backflow, resulting in flash flooding,” he stated.

Now here is where it gets truly alarming. Lagos is home to some of Africa’s finest and largest infrastructure — and yet, uncoordinated construction is increasingly disrupting the very drainage pathways that protect the city. Developers have filled in natural wetlands — nature’s own flood buffers — to build estates and roads, permanently eliminating the land’s capacity to absorb water. This is a serious cause for concern.

If structural, behavioural, and climate pressures continue to compound, the consequences will scale dramatically — and will absolutely cross the threshold of what qualifies as a natural disaster.



To be frank, we are already approaching that threshold. While flooding in Lagos is triggered by man-made negligence, the dangers it enables — sea level rise, increased storm intensity, and tidal surges — are forces beyond immediate human control. What amplifies their impact, however, is entirely within our hands: blocked drains, illegal construction, the destruction of wetlands, and poor waste disposal. These man-made failures strip the city of its natural resilience, so that when a genuine extreme weather event strikes — a storm surge, a prolonged rain spell, or a simultaneous combination of high tide and heavy downpour — Lagos is left with no buffer. According to Pulse Nigeria, “low-lying coastal communities face a double threat in 2026 as rising Atlantic sea levels block stormwater from emptying smoothly into the lagoon.”

In the medium term — within 10 to 20 years — without serious intervention, Lagos risks the kind of catastrophic flooding witnessed in Jakarta, Dhaka, and New Orleans: cities that also dismissed early warning signs as routine seasonal inconveniences. The difference is that Lagos has less time, because it is growing faster than all of them.

The question is no longer if a large-scale flood disaster will hit Lagos. The question is whether the city will be prepared when it does.


Lagoscolour Entertainment, a rising force in the entertainment industry, is thrilled to announce its official registration as a limited liability company under the Corporate Affairs Commission (CAC) of Nigeria. This strategic milestone marks a new chapter for the brand as it expands its influence and solidifies its commitment to fostering youth empowerment, creativity, and innovation in the entertainment, media, and public relations sectors across Nigeria and beyond.

Lagoscolour Entertainment: Mission & Vision

Mission

At Lagoscolour Entertainment, we represent the next generation of leaders in entertainment and media, fostering education, social inclusion, and dynamic networking opportunities. Our mission is to build an engaging platform where youth, students, and individuals can thrive, connecting Lagos, Nigeria, and the world through entertainment, public relations, and creative communications.

 

Vision

We envision a world where the untapped potential of youth and students in entertainment, public relations, and media communication is fully realized. Lagoscolour Entertainment is committed to being the leading force for innovation and inclusivity, empowering young talents to shape the future of Nigeria and beyond. Our goal is to build a lasting legacy of trust and influence among youth, institutions, and organizations globally.

 

Our Services
Lagoscolour Entertainment offers a wide range of services that cater to various aspects of entertainment, event management, and public relations. The company’s services include:

• Event Management and Planning
• Ushering Services
• Talent Management
• Brand Influencing
• Tour Management
• Artiste Repertoire (A&R)
• Strategy and Branding
• Public Relations
• Music Distribution and Promotions
• Media Communications
• Content Production

By leveraging its expertise in these areas, Lagoscolour Entertainment seeks to elevate young talents, provide comprehensive event experiences, and amplify brand visibility for both individuals and organizations.

Unveiling New Projects
As Lagoscolour Entertainment continues to grow, it is poised to introduce several groundbreaking projects that will shape the entertainment landscape in Nigeria. The company is calling on sponsors, individual supporters, brands, and angel investors to join hands in bringing these exciting initiatives to life. These projects include:

1. Mi Casa Su Casa
A highly anticipated and consistent weekly nightlife event on the mainland of Lagos, Mi Casa Su Casa is set to kick off on the 24th of October 2024. This high-energy party experience will take place every Thursday, bringing world-class entertainment closer to home. Featuring celebrity DJs, influencers, fast-rising artists, and dancers, Mi Casa Su Casa promises to redefine nightlife in Lagos by offering a vibrant social experience where guests can connect and unwind.
2. Nigeria Campus Choice Awards
The Nigeria Campus Choice Awards will celebrate excellence across Nigeria’s universities, polytechnics, and colleges. The event is structured into three interconnected parts: the awards ceremony, a beauty pageant, and the recognition of supportive brands and organizations across various institutions. This event will provide a platform for students and institutions to showcase their achievements while celebrating the creative and academic accomplishments of Nigeria’s youth.
3. Afro Pulse Awards
The Afro Pulse Awards will honor individuals and organizations across every facet of Nigeria’s music industry, from artists and producers to promoters and media personalities. As the premier awards ceremony recognizing the driving forces behind Nigeria’s booming entertainment scene, the Afro Pulse Awards aims to highlight the outstanding contributions of those shaping the future of Nigerian music.

Call for Sponsors, Volunteers, and Partners
Lagoscolour Entertainment is inviting individuals, corporate brands, and angel investors to be a part of these exciting initiatives. By partnering with Lagoscolour Entertainment, sponsors will gain significant exposure, networking opportunities, and a platform to connect with Nigeria's vibrant entertainment and youth culture.

The company is also calling on volunteers and representatives from various sectors, including technology, corporate, entertainment, media outlets, bloggers, radio stations, and campuses, to collaborate on these projects. Those interested in contributing to the success of these initiatives will be part of an innovative and impactful movement that is set to reshape Nigeria's entertainment landscape.

For partnership inquiries, volunteer opportunities, and additional information about Lagoscolour Entertainment and its upcoming projects, please contact:

Contact Information
(08093578003, 09124097269)
(IG handle @Lagoscolourentertainment)

 

Lagoscolour Entertainment is ready to bring its vision to life, creating pathways for youth empowerment and revolutionizing entertainment in Nigeria. With your support, we look forward to making these projects a resounding success.

About Lagoscolour Entertainment
Lagoscolour Entertainment is a youth-centric brand committed to providing event management, public relations, talent management, and content production services. With a focus on empowering young people, the company seeks to revolutionize entertainment in Nigeria by creating opportunities for networking, growth, and creativity. Officially registered as a limited liability company under CAC Nigeria, Lagoscolour Entertainment continues to expand its influence across Lagos, Nigeria, and the global entertainment landscape.

 Nigeria's creative scene is experiencing a renaissance, characterized by a dynamic fusion of tradition and modernity. This resurgence is evident across various sectors, including fashion, visual arts, music, and technology. The country, known for its rich cultural heritage and vibrant population, is now home to a burgeoning community of young innovators who are pushing the boundaries of creativity and innovation. With a growing number of platforms and opportunities for young creatives to showcase their talents, Nigeria is rapidly emerging as a hub for artistic expression and entrepreneurial spirit. The achievements of these trailblazers are not only redefining the nation's cultural landscape but also placing Nigeria on the continental map as a center of creativity and innovation.

Here are four young Nigerian creatives who are making statements and inspiring creatives in Nigeria.

Bola Olaniyan: Creative Director, Fashion Curator



Bola's journey from modest beginnings to global recognition exemplifies the transformative power of talent and perseverance. From designing music covers to creating visually striking work for prominent international brands, including Nike and Ashluxe, Bola has leveraged his exceptional creative abilities to establish a thriving career as a sought-after visual artist. 

Starting as a graphic designer, Bola sought to provide foundational content to the art practice, and since working with Street-Souk in 2021, he has continued to push the boundaries of visual expression through his versatile portfolio. Fast forward to 2023, he was listed in The Native's second edition of Blacklist West Africa in collaboration with Guap Magazine.

 He's currently the CEO of "BOLAPSD," a fashion brand that is gaining rapid attention and influence on the global stage. His latest collection, "Jesus Saves, I Spend On 🅱️," was released a few days ago, manifesting his proficient ability to blend innovation in fashion. His role model is said to be the late genius Virgil Abloh, and he hopes to one day continue Virgil's craft.

Opeyemi "Peeko" Eko: Photographer



Peeko, a young and talented photographer based in the bustling city of Lagos, Nigeria, has emerged as a phenomena in the realm of visual storytelling. His work is characterized by a unique ability to freeze time, capturing moments that encapsulate the personality, mood, and expression of his subjects, and weaving engaging narratives through his lens. Some of his works include shooting for brands like Nine and Pith Africa.

Peeko's craft transcends the technical mastery of his medium, delving into the realm of artistic expression and social commentary. Through his lens, he offers a captivating window into the vibrant tapestry of Nigerian culture, where the resilience, creativity, and diversity of the people are woven together in a captivating mosaic. 

Ayomide Popoola: Visual Artist/Illustrator & Creative Director



Often referring to himself as a scientist, Ayomide, an artistic scientist and creative director of MTHR, is a multifaceted creative force who has carved out a unique niche for himself in the ever-evolving landscape of visual arts and design. Described by the artist himself as a "scientist," Ayomide's approach to his craft is marked by a relentless pursuit of innovation and a keen eye for the intricate balance he strikes between his rational and intuitive modes of thinking, seamlessly integrating the analytical with the imaginative in his creative process.

 From switching handwritten texts to digital art in 2022, Ayomide has gone on to establish himself as a graphic design guru. Recently recognized by Notesphere, Ayomide's works serve as a testament to the growing influence of Nigerian visual artists.

Chidozie Nwosu: CEO, 21 Borders



From selling shirts in school to being recognized by artistes like Smada and Victony with in the space of one year, the name, 21 Borders, has gained a reputation as a current force, capturing the attention of individuals who are not only conscious of their sartorial choices and stylistic designs but also seek to embody a sense of exclusivity and prestige. Nwosu, a visionary entrepreneur, has seamlessly blended his deep understanding of global trends, his keen eye for design, and his unwavering commitment to quality, creating a brand that has become synonymous with the epitome of style and swag.


 

Out of the culturally expansive city of Ibadan, Nwosu's mission is to put his city on the map and elevate it to a global fashion hub, showcasing its unique blend of tradition and modernity to the world.

Fostering young talent and innovation in Nigeria is crucial for driving the nation's progress and establishing it as a global leader in creativity. The stories of Bola Olaniyan, Opeyemi "Peeko" Eko, Ayomide Popoola, and Chidozie Nwosu exemplify the immense potential and transformative power of Nigeria's youth. Their groundbreaking work and relentless pursuit of excellence not only inspire their peers but also contribute significantly to the country's cultural and economic development. By supporting and nurturing this new generation of innovators, Nigeria can continue to harness its rich heritage and dynamic energy, paving the way for a brighter and more innovative future.


Written by: Olulana Mofiyinfoluwa 



Smade Group - home to SMADE Entertainment and SMADE Lounge welcomes The Africa Centre as its key charitable partner, as part of the three year strategic partnership.

SMADE remarked, “The Africa Centre and its communities have played a part in my 20-year journey as a cultural leader and entrepreneur in the UK. It has a special role in shaping the UK’s understanding and advancing the narrative of the global African. I am excited for this partnership between The Africa Centre and SMADE Group, as we continue to amplify Africa and unite Africans in the Diaspora.”

This collaboration marks a significant milestone in the celebration of The Africa Centre’s 60th anniversary and SMADE Group’s pursuit of growth and innovation in Africa’s music, sports, and culture.The partnership between SMADE Group and The Africa Centre aims to reposition The Africa Centre as the custodian of African music heritage in the UK. For the past 60 years, the Centre has been a sanctuary for African artists, providing a platform for talents such as Remmy Ongala, Kanda Bongo Man, The Bhundu Boys, Jazzie B & Soul II Soul, Angelique Kidjo, Sonah Jobarteh, and Baaba Maal. This collaboration will also see SMADE Group, renowned for curating Afrobeats concerts and co-founding Afro Nation events, working with The Africa Centre to enhance awareness of its historical significance and current relevance. Additionally, the partnership underscores shared values in culture, intellectual development, community, education, entrepreneurship, and innovation. The Africa Centre, established in 1964, is a UK-based organization dedicated to promoting and celebrating African culture, heritage, and intellectual development. It has long served as a hub for artistic and cultural expression, providing a platform for African artists and intellectuals.

SMADE Group, the world’s leading events company specializing in contemporary African music, is renowned for its cultural impact through events like Afrobeats concerts and Afro Nation festivals. With a portfolio that includes SMADE Entertainment and SMADE Lounge, the group continues to shape the landscape of African music and culture.

Through this arrangement, The Africa Centre will become SMADE Group’s key charitable partner, delivering a strong social responsibility agenda. Together, they will host events and activities that honor The Africa Centre’s rich 60-year history while envisioning its future for the next six decades.

Upcoming Highlights:

• Mandela Day Commemoration in July

• 90th Birthday Celebration of Wole Soyinka, Africa’s first Nobel Laureate in Literature, in July

• 100th Anniversary of Amilcar Cabral

• Special Archival and Art Exhibition

showcasing 60 years of The Africa Centre

• Royal Albert Hall Variety Performance in December

        

Behind The Booth (Record Breaker Edition) With Hitsound 

Interview Conducted By A&R Duty on behalf of Solid Guy Magazine™

Design & Content-Writing: Mbuba Chiagozie Tochukwu (@agozieee_)



Q. Can We Get To Know You?

A.  My Name is Joshua Abba Jeremiah Also known as HITSOUND. I am a music producer and content creator from Kogi State, Nigeria. I started making music at a very early age and grew up in a family of music lovers. I did not take music seriously until my High school days when I decided to take a career in Rap. 
I would perform in class, Church, and every event that had opportunities for emerging artists. Production came after when I was not able to afford recording sessions. 
I was producing for myself and working with other upcoming artists to make extra money for myself. Fast forward to this very day, I have been working on a lot of projects and diversifying my reach with daily upgrades to my musical genius


Q. Congratulations on breaking the Guinness World Record! Can you share your initial reaction when you found out you achieved this remarkable feat?

A. I was really excited and happy that I could do it with the help of amazing people around me. It was an amazing experience.




Q. What inspired you to attempt the Longest Recording Marathon, and how did you prepare for such a demanding endeavor?

A. I attempted the record for my love for music, passion for growth, putting My country and culture on the map, and the ever-growing demand for adventure. I put myself to the test as this was my opportunity to show the world what I could do.

It took 3 months of intensive planning and preparation. Rehearsal for abstaining from sleep, camera positioning, and the like of it. The last month before the attempt was more about the venue and mental preparation. I had to prepare myself for the better. With the help of my camera crew and ANR Duty, it was all sorted.



Q. Can you tell us about some memorable moments during the recording marathon with various artists? Any particular collaborations that stood out to you?


A. I would say all the artists brought their A-game to the event. The moment I won't forget is when I almost fell into deep sleep on the second day. It wasn’t easy at all. Day 3 was memorable because Masterkraft came through to show his support. Every day was filled with amazing occurrences that will live in our minds forever.



Q. Afrobeats is a genre known for its vibrant energy and diverse influences. How do you think this genre has evolved over the years, and what role do you see yourself playing in its growth?


A. Afrobeats has progressed drastically over the years with the heavy work being put into the promotion of the culture by the likes of Rema, Davido, Wizkid, Burna and other talented musicians.

I enjoy producing Afrobeats tracks, the reason being that it’s the genre I grew up listening to and it has shaped my tune over time. I enjoy working with artists who know their craft, Once the artist is talented and easy to work with I automatically just vibe with them to make a hit.



Q. Breaking a world record requires immense dedication and perseverance. What kept you motivated throughout the entire process, especially during challenging moments?


A. I would say it’s the thoughts of how important it was to be different and make myself, my family and my team.



Q. Collaborating with numerous artists must have been a unique experience. How did you manage to bring together such a diverse group of talents, and what did you learn from working with them?


A.  I was able to gather that number of artists with the help of ANR duty. The selection process was done online then other artists were selected at the venue of the event. I learned how flexible making music can be if the artist is highly skilled. It makes the process smooth and enjoyable.



Q. In the world of music production, innovation is key. Are there any new techniques or technologies you explored during the marathon that you believe will shape the future of music production?


A. I can’t say I invented a technological innovation but I would say I understood new techniques in my software that would 10x my work rate. It might be something a lot of producers know so I won't take credit for that.



Q. Afrobeats has gained international popularity. How do you think your achievement contributes to the global recognition of Afrobeats, and what message do you hope to convey through your music and this record-breaking feat?


A. This would definitely open a gateway for exposure to the culture in the production aspect and show the diversity of art through music. My message will always be explained better through my music. It translates way into the minds of every individual who listens to good music and knows what they want in rhythm.



Q. ​Breaking a Guinness World Record is undoubtedly a significant achievement. What impact do you think this accomplishment will have on your career, as well as the Afrobeats music industry as a whole?


A. This definitely has given me the right exposure; I will use this avenue to teach and raise a new generation of insightful musicians on my social media platforms. As for the afrobeats music industry, so far I keep making great tunes that will continually be a win for the culture.



Q. ​Lastly, what advice do you have for aspiring producers and musicians who look up to your journey and are inspired by your success?


A. They should never give up on their dreams and aspirations. Work twice as smart every day until you see results. Accompany hard work with prayers and faith in your abilities. Never rush into doing anything until you are ready and have prepared for it.




The Nigerian Police Confirm DCP Abba Kyari and Four others and hand them over to NDLEA
Over the Involvement in an alleged case of Criminal conspiracy. Other listed offences Listed against them are discreditable, unethical and unprofessional conduct with corruption and Many others, In a case involving Prepetual transnational drug cartel.

The arrest of the officers was a sequel to pieces of information received from the leadership of the NDLEA on the 10 of February

Acting spokesman of the Forces, Muyiwa Adejobi confirmed this statement on Monday afternoon. They were arrested in the early hours on Monday. Mr Femi Babafemi, Spokesman of the NDLEA said that they were declared wanted because they Refused to honour the invitation sent to them.

What is your take on this.........Dont Forget to Leave your comments 
A Lady couldn't hold her tears as she found out her Boyfriend of 4 years used her for money Rituals 

A Video and screenshot of her crying and her Whatsapp text with him........ Were discovered. The Boyfriend who had supposedly used her Underwear for money Making Rituals.

Reacting to such unfortunate situations, I advise Ladies  to be more vigilant amid the rising killings in the country

Dont Forget to leave your comments
Dr. Soyemi, a consultant pathologist, Dr. Sunday Soyemi at the Lagos State Teaching Hospital presented a report of postmortem of the deceased  Sylvester Oromini on Tuesday. 
Dr. Soyemi said,"Before I started the autopsy the doctor who conducted the first autopsy was present. So I observed the autopsy wasn't properly done. For example at the first autopsy, the pathologist never opened the oesophagus (which is the food pipe). 

He also did not open the trachea (which is the air pipe through which we breath). This are vital things that he shouldn't have missed out. He also refered to his report claming chemical intoxication, for one to be intoxicated with chemical that chemical has to pass through the oesophagus.

Dr. Soyemi affirms that it could never had been any chemical intoxication if it didn't near the oesophagus. 

He also stated that the first pathologist didn't detached the lungs from the heart. He said," If he had done that the weight alone will tell you something is wrong with the lungs. I would say he did a botched autopsy".

Mr. Femi Falana, SAN, faulted the evidence of the pathologist. He said, "His autopsy is self explanatory. Your Lordship has allowed the witness speak authoritatively of a document that have not been tendered. We therefore urge your honour to stop the witness move by the DPP".

The Coroner, Mr. Kadiri disagreed with objection of Mr Falana, however requested that the documents be served to the counsel. 

However, some of the counsel insisted that they don't want to be part of any potential and sensitive document.

Mr. Falana queried some observations in the evidence report done by the pathologist. 

He asked "Don't you think the blackish substance in the intestine of the deceased should have been taken to a toxicology laboratory in view that the deceased was poisoned?" 

He responded that the blackish substance was not poison but could be anything.

Dr. Soyemi claims that if there was any harmful chemical substance in the body there would have been a form of bruise and a lining.

However, several examination where done by the counsel. 

The Coroner Magistrate Kadiri adjourned the case to 14th of February 2022 for further investigation. 
Chico Ejiro's Last Son, Viano, Dies Less Than a Year After the Nollywood Director's Death 

Viano was the son of Joy Chico Ejiro and Chico Ejiro before his sad passing.
 
The last son of the Ejiros died less than a year after the legendary Director, Chico Ejiro died.
 
Viano had been battling cancer for years and his father had devoted his life and resources to his treatment.
 
Viano's mother, Joy Chico Ejiro, had also been playing her part. She moved to the US to get the best health care for her son who was diagnosed with cancer related ailments while still a toddler.
 
Unfortunately, the young warrior passed on yesterday, less than 11 months after his father's death.
 
Chico Ejiro died on Christmas day, Dec. 25, 2020, of complications related to high blood pressure.

We Pray The Lord Will Grant The Family The Fortitude to Bear The Loss🙏
.
RIP Viano Ejiro

As the nation marks one year of EndSARS today, Information Minister, Lai Mohammed, has insisted that the claimed massacre of Nigerians during the nationwide mass protests against police brutality, was phantom.


Speaking during a news conference in Abuja, Mr Lai said that most of the claims of killings were false and misleading as most of those who made the claims of losing people were yet to show up and give evidence a year after such allegations.



His statement reads in part:

“The military did not shoot at protesters at the Lekki Toll Gate on Oct. 20th 2020, and there was no massacre at the toll gate. The only ‘massacre’ recorded was in the social media, hence there were neither bodies nor blood.

ii) Amnesty International, CNN, a runaway DJ and others like them should apologize for misleading the world that there was a massacre at the Lekki Toll Gate and for portraying the Nigerian military, police and other security agencies in bad light.”

Soldiers rescue young man from being set ablaze by mob for stealing clothes
LindaikejisblogOct 5, 2021Read original

Soldiers have rescued a suspected thief from being lynched by an angry mob
 

Soldiers have rescued a suspected thief from being lynched by an angry mob in Malawi.

The incident happened in Mzuzu, the capital of Malawi's Northern Region on Monday, October 4.

According to online report, the young man was caught stealing clothes and was about to be set ablaze when soldiers from Moyale Barracks arrived the scene and rescued him.