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From The Studio To The Spotlight with Owan & Larbi

Issue 5.0 (May. 2025)

Interview conducted by Ayo Fabiyi

Design: Mbuba Chiagozie Tochukwu

Ghanaian duo Owan&Larbi have been making waves with their unique blend of sound and heartfelt lyrics. After dropping their EP Here’s to New Beginnings in 2024, they’ve continued to captivate audiences with their journey and artistry. With their latest single “She Bad” marking a new chapter, Solid Guy Magazine caught up with the duo to discuss their creative process, the lessons they’ve learned, and what the future holds.

Q. You’ve been together for a while now. How did Owan&Larbi come to be, and what brought you together as a duo?

A. It all started with us free styling to beats during one of our vacation days. This is around the time we were in the university.

Q. Here’s to New Beginnings was a turning point for many fans discovering your sound. What message or feeling did you want to convey through that project?

A. The sense of a new beginning. Also, we had just started making music professionally, so the tape served as a rite of passage to our target audience.

Q. How do you feel you’ve grown as artists since the release of that EP last year? Has your approach to music changed in any way?

A. We have been more consciously involved in the curation of the sound for this phase of ours. With the EP we had the beats that spoke to us sonically and as a result we came up with the befitting lyrics.

Q. “She Bad” has a different vibe compared to some of your previous songs. What does this track represent for you both, personally and as artists?

A. Our very first attempt at being more hands on with the production together with our producer friend ‘Probenny’ and this how it turned out. We had an overwhelming amount of positive feedback on the resonance of the sound. This represents growth and the potential for more exploration in the future. Our next single has that similar potential, wait on it.

Q. Every artist faces challenges in the industry. What would you say has been the hardest part of navigating the music scene, especially in Ghana?

A. There aren’t enough opportunities and avenues for Artists like us, especially on the come up. Almost everything too hinges on a transactional relationship which usually doesn’t yield the desired outcome because not all the stakeholders truly see the industry for how it actually operates.

Q. Your sound is very distinct. How do you stay true to that while also experimenting with new genres or styles, like with “She Bad”?

A. There is a versatility gene in us. We explore a lot but there is one that is for sure, whenever you hear an Owan & Larbi song, you would just feel it.

Q. As a duo, how do you manage creative differences? Do you both have specific roles when working on a song?

A. First of all we are more like brothers. The synergy between us is always great. It sometimes feels magical when we realize that we have just birthed a song without even going about it to the stringent standards. Music creation isn’t formulaic.

Q. A lot of your music feels like it’s a conversation with your audience. What’s the core message you want listeners to take away from your songs?

A. The message is that they have this duo in their corner that they can always listen to.

Q. Onnine seems to be a significant part of your journey. How did your collaboration with them come about, and how has that partnership influenced your sound and career?

A. Another brother who has been around since this whole thing started. He is such an amazing artist that everyone should check him out. There is so much coming from respective camps. You guys would love it.

Q. Looking ahead, what does 2025 have in store for Owan & Larbi? Should fans expect more singles like “She Bad,” or is there a larger project coming soon?

A. They should expect more music. Owan & Larbi season is here!

Q. In such a fast-paced industry, how do you stay grounded and focused on your personal and artistic growth?

A. We feel like there is so much work to do and so many amazing songs that we want to share. These help keep us focused. The eye is on a bigger prize, just watch and support us.

Q. Ghana’s music scene is really having a moment globally. How do you see yourselves contributing to this international recognition of African music?

A. This is the reason why we are so much concerned with the sound now. We want to bring something extremely distinct to this table. Good enough, She bad, our debut single of the year is there to prove it.

Q. What has working with Onnine taught you about the business side of music, and how do you balance that with your artistic vision?

A. We have all been teaching each other a thing or two about the business side of the music. With this particular release being She bad, we made sure that the metadata captured everyone and their involvement in its creation.

Q. Has there been a moment in your career so far that really made you feel like you’ve found your sound, or is that still a work in progress?

A. We have the sound but we are also being creative, working and exploring everyday is our goal.

Q. What’s been the most rewarding part of being in a duo creatively and personally?

A. We get to create art as real brothers. There is nothing more beautiful than this. It’s rewarding because it has given us the chance to share our stories with others. On our own, we don’t think we would’ve even had that zeal to go about it like this.

Q. Looking back at the start of your journey, if you could give yourselves one piece of advice, what would it be?

A. Don’t rush. Take it slow and learn.

Q. Finally, what do you want to be remembered for in the music industry? What legacy do you hope to leave behind?

A. Our shows. The experience we want to share is similar to a crusade that leaves an everlasting impact for everyone that gets to see us live. Songs that touch hearts and make you extremely happy.

In a world where trends come and go faster than TikTok transitions, what really makes a fashion collection stick? We’ll give it to you straight: a killer statement piece.

Every designer has their staples—the clean cuts, the everyday wearables, the safe sellers. But it’s the bold, jaw-dropping, unapologetically extra pieces that truly separate the amateurs from the visionaries. At SolidGuy, we live for those moments. You know the ones: where a single look from a collection makes you pause, rewind, and screenshot. That’s the magic of a statement piece.

01. Your Collection's First Impression? This Is It.

When your collection hits the runway or the 'Gram, attention spans are short. You’ve got seconds to make an impact. Statement pieces do just that. Whether it's a dramatic coat, sculptural tailoring, or a fearless print, this is your visual mic drop.

02. It's Your Brand’s Boldest Voice

A strong statement piece speaks volumes about your creative DNA. It’s your way of saying: “This is who I am. This is what my brand stands for.” For emerging designers, it’s a signature move. For the OGs? It’s how you remind the industry you’re still here—and still ahead.

03. Storytelling in 3D

Fashion isn’t just about fabric—it’s a form of storytelling. Your statement pieces are the main characters. They carry the theme, the emotion, the cultural references that inspired your collection. And they do it without saying a single word.

04. The Buzz Starts Here

Fashion editors, stylists, and influencers don’t just want to wear fashion—they want moments. Statement pieces are editorial gold. They get the press, the tags, the reposts. If you're looking for your collection's viral hit, this is where to invest your creative energy.

05. Creative Playground = No Rules

Let’s be honest: not every piece needs to be “wearable.” Statement pieces give you room to experiment and dream big. Play with proportion, color, movement, and material. Push the boundaries. This is your license to go all in.

06. Sales Magnet

They may not be your top sellers, but trust—they bring the traffic. Customers might come for the bold looks, but they’ll stay (and buy) the more wearable pieces. Statement designs attract attention and elevate the perceived value of your entire line.

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Bottom Line?

Statement pieces are not just for show—they’re for impact. They’re the soul of your collection and the spark that sets your brand on fire. In this era of fast everything, make your fashion loud enough to be remembered. Be bold. Be unapologetic. Make a statement.

In the kaleidoscope of Nigeria's creative scene, one name stands out as a beacon of innovation and impact: Amazing Klef. Not merely a photographer, he is a storyteller, educator, and cultural curator who has shattered boundaries and reimagined the possibilities of visual arts and entrepreneurship.

Okwuchukwu Martins Dominic—known professionally as Amazing Klef—isn't just capturing moments; he's building legacies. As the founder of AKtivated Studios, he transformed a simple studio into a hub of creative excellence. From world-class photography to ground-breaking music content on AKtivated TV, Klef's vision is expansive, reshaping the narrative of content creation in Nigeria and beyond.

AKtivated TV, a platform that has become a launchpad for emerging talents. Its unique model bridges the gap between aspiring artists and global recognition—a feat that only someone with Klef's ingenuity could achieve.

Klef's impact goes beyond the lens. Through the Amazing Klef Academy, he empowers creatives to hone their craft and embrace entrepreneurship. Partnering with major brands like TECNO Mobile, the academy combines hands-on training with access to cutting-edge resources, fostering a generation of trailblazers. Klef's commitment to education exemplifies his belief that creativity flourishes when equipped with knowledge and opportunity.

From collaborations with Nigerian superstars like Tiwa Savage and Rema to international icons like DJ Khaled, Amazing Klef’s portfolio reflects his versatility and global reach. His unique ability to blend cultural heritage with modern aesthetics has garnered attention from brands such as ASUS, Pepsi, and MTN, solidifying his status as a creative force to reckon with.

Beyond the accolades, Klef has consistently broken barriers. He became the first Nigerian photographer to deliver a TED Talk, sharing insights into the power of visual storytelling. His approach—fusing passion, grit, and artistic intuition—has earned him recognition as one of Nigeria's most influential creatives.

What sets Amazing Klef apart is his unwavering commitment to uplifting others. His work isn't just about capturing images; it's about capturing potential and transforming it into greatness. Through his creative ventures and educational initiatives, Klef has shown that success isn’t just about talent but vision, mentorship, and community.

Amazing Klef’s journey reminds us that creativity is more than an art form; it catalyzes change. Whether through his lens or his teachings, Klef is leaving an indelible mark on the world—one photograph, one dream, and one story at a time.

From The Studio To The Spotlight with StefanTheGoat

Issue 4.0

Apr. 2025

Interview Conducted by: Ayo Fabiyi

Design: Mbuba Chiagozie Tochukwu

Q. Let’s start with your name. StefanTheGoat is bold and confident. What is the story behind it and how does it reflect your personality or sound?

Ans: Before the GOAT, it was all baby steps. I started as Stefan Twilyte, making music as part of a group, then transitioned into a solo artist as Stefan. Projects like 14:55 and GHOSTANDGOAT helped shape my journey.

Q. You dropped VENT not too long ago and it felt raw and personal. What headspace were you in when you made that track?

Ans: My sound is distinct—when you hear my voice, you know who's speaking.

I don’t overthink it. I’ve always been used to putting out bodies of work, just having fun, and saying what’s on my mind.

Ha! The clue is in the name—VENT.

Q. Looking back at your first ever recording, how would you compare it to your sound now especially songs like Flower and Memories?

Ans: Funny you asked that. My first solo recording, I, was heavily influenced by the artists who first introduced me to the culture. Flowers, memories… I can’t compare.

Q. Take us into your studio zone. What does a typical Stefan recording session look like? Calm and quiet or full of energy and people?

Ans: Full of energy, not necessarily people.

Q. You have different vibes in your catalog. How do you decide what is going to be the next single and what stays in the vault?

Ans: 9 times out of 10, the music decides. I just look back like, WOW… okay!

Q. Let’s say someone is hearing you for the first time. Between VENT, Memories, and Flower, which track would you tell them to start with and why?

Ans: Damn, you really put me on the spot!

All classics. But to me, MEMORIES is at an all-time high. It provokes all kinds of emotions.

Q. Outside of music, what is something random or unexpected that actually inspires your songwriting?

Ans: Living life. Sometimes, a conversation can spark an idea.

Q. A lot of people have assumptions about new artists. What is one common misconception people have about you or your music journey?

Ans: I don’t know… let them worry about it.

Q. You have dropped emotional joints and vibe heavy songs. How do you balance being real with chasing what works commercially?

Ans: Implementing my ideas.

Q. If music was not an option, where do you think you would be right now and would you still be creating in some way?

Ans: Somewhere, ...

Chukwuemeka Gabriel Obi, better known as Le Mav, is a Nigerian record producer, songwriter, multi-instrumentalist, and DJ—one of the earliest contributors to the alté sound. Recognized for his unique sonic fingerprint, Le Mav has produced for notable artists including Tay Iwar, Odunsi, Cruel Santino, BOJ, Seyi Vibez, Falz, Tiwa Savage, and Masego.

In 2023, Le Mav earned a Grammy nomination for his contribution to the Black Panther: Wakanda Forever soundtrack (“Anya Mmiri” featuring CKay & PinkPantheress) in the category Best Score Soundtrack for Visual Media. In 2024, he produced “Ogo” by Seyi Vibez and Tion Wayne, which peaked at No. 3 on the Top 100 Nigerian Songs chart.

From his debut production credit in 2016 to the present, Le Mav’s portfolio reflects not just his production genius but his profound impact on Nigerian music.

We caught up with the sonic architect of the alté sound in the latest edition of Behind The Booth.

1. Early Days, Influences and Musical Journey

SOLID MAG: Your first production credit was Situationship with Odunsi & Aylo in 2016. They say firsts are unforgettable. Looking back now, how much would you say that song set the path for your journey as a music producer?

Le Mav: Situationship was a moment. I was still in uni, balancing classes and trying to make music. I didn’t expect the song to do as well as it did, especially at that time. It definitely taught me the value of chasing my passions.

SOLID MAG: You started playing the piano at just four years old, along with other instruments, and quickly excelled. Music has clearly been a natural calling for you. But what initially sparked your interest in music production, and how did your journey unfold?

Le Mav: Kanye West. When I was in high school, I was obsessed with Late Registration and Graduation—especially Flashing Lights. At some point, a classmate gave me a cracked copy of FL Studio, and from then on, it was a wrap. I’d spend hours trying to recreate beats from songs I liked and make something in that vein.

SOLID MAG: Can you remember the first beat you ever made?

Le Mav: I absolutely cannot remember my first beat—and for good reason. That shit was probably terrible. But with every great endeavor, you’ll look like a fool at the beginning.

SOLID MAG: Up until Stranger, most of your work had been solely music production. What inspired the transition to songwriting?

Le Mav: Stranger was inspired by an R&B song by B. Lewis called "Strange Things", hence the name Stranger. Tay, being a songwriting genius, took that and ran with it—that’s how Stranger in My Head came about. So technically, my first songwriting credit was just alignment. I’ve always been a lyric lover, so it made me want to get into the songwriting process more.

SOLID MAG: Were there any specific producers or artists who influenced your sound when you first started making music?

Le Mav: Still Kanye West, but also Timbaland, No I.D., Just Blaze, Sarz, Don Jazzy, and Beats by Jayy (may he rest in peace).

2. Creative Process & Sound

SOLID MAG: It’d be hard to tell that the same person who produced Ogo also produced Born Again. When collaborating with artists, how do you tailor your production to their style while still maintaining your essence?

Le Mav: Tailoring my sound to the artist was something I did when I first started producing. With more experience, I realized my strength is bringing artists out of their comfort zones. That was the vibe with Seyi—he wanted something soulful, and we crafted that pocket together. Born Again was also Santi wanting to go deeper into an indie-hip-hop fusion. For me, the music always comes first.

SOLID MAG: You're recognized as a genre-blender. How would you describe your signature sound?

Le Mav: My signature sound is rooted in emotion—usually nostalgia. I love making people feel something familiar but slightly new.

SOLID MAG: Do you have any rituals before starting work on a track?

Le Mav: Lately, I’ve been in touch with my faith. I had a session with Bkay, and we made an incredible song. We both agreed God was in the room. So now, my ritual is inviting God into every session to make it special.

SOLID MAG: How do you typically approach a new song?

Le Mav: Sometimes I go off muscle memory and get the idea down quickly. Other times, I try to think outside the box and create something completely fresh. My go-to these days is definitely starting with the guitar.

SOLID MAG: What’s the most challenging part of the song-making process for you?

Le Mav: Understanding what the song wants to be. As a producer, I believe it’s my job to find the best way a song can be brought into the world. Experience has taught me that ego must leave the room—nothing is more important than the song reaching its full potential sonically.

SOLID MAG: How do you know a song is finished?

Le Mav: After a while, songs tell you when they’re done. I used to overproduce in my early years, but now I believe less is more. I spend less time adding layers and more time making sure the foundation is strong.

3. Projects & Collabs

SOLID MAG: You’ve worked with a wide range of talented artists, including Santi, Odunsi, Amaarae, CKay, and Seyi Vibez. What makes a collaboration exciting for you?

Le Mav: Working with talented people is always exciting. Everyone’s life experience affects how they create—from melody choices to word choices. Watching that unfold is inspiring.

SOLID MAG: Is there a collaboration you’ll never forget? What made it stand out?

Le Mav: Heat. That song changed my life in ways I still haven’t fully understood because more keeps unfolding. It came from such a pure place that Tay and I both tapped into. The song speaks for itself. I’ve never heard anything quite like it.

SOLID MAG: Gold and Gold II are such beautiful works of art. You’ve known Tay Iwar since 2017, and since Heat (amazing record, by the way), every collab has been fire! Tell us about your friendship with Tay and how a random link-up in Abuja led to one of the most exciting duos in Nigerian music.

Le Mav: A mutual friend told me about Tay and said we’d click. The first time we met, we talked for hours about music and life, and I knew we’d be friends for a long time. We started working on songs individually, then eventually created Gold because our chemistry was undeniable.

SOLID MAG: It’s kinda early, but... is there going to be a Gold III?

Le Mav: Who knows what the future holds? Haha.

SOLID MAG: Aside from Kaytranada, are there any dream collaborations you're eyeing?

Le Mav: Definitely Sarz!

4. Industry & Growth

SOLID MAG: Being part of the Black Panther soundtrack was a big deal—and then it got nominated for Best Soundtrack at the Grammys. What was your reaction? And if you could go back to the J-Street band days and tell young Mavi one thing, what would it be?

Le Mav: That was unexpected but so welcome. Shout out to my guy Doz for letting me know where and when the sessions were, and to P. Priime for working on the song with me. Funny enough, I feel like I manifested the Grammy nom. My producer friends—Jonnywood, Rayo, and I—used to joke about becoming Grammy-nominated. And that same year, we all got nominated for different projects. I’d tell young Mavi to keep pushing—you never know what’s possible until you try.

SOLID MAG: Not every producer is also a multi-instrumentalist, DJ, and songwriter. What drives your continuous growth in such a fast-evolving industry?

Le Mav: Love and passion for music. There’s a purity in creating that feels bigger than me—it’s a calling.

SOLID MAG: You’ve been in the alté scene for nearly a decade. As one of its earliest contributors, what challenges did *alté* artists and producers face back then, and what still persists today?

Le Mav: Alté music was always funny to me—you never know what sticks. But the name stuck, and we got stuck with it. When you’re doing something different, people often don’t understand it, and that misunderstanding can turn into resentment. That’s still a challenge. People’s art is sacred and should be treated as such.

SOLID MAG: What’s one thing you wish more people understood about being a producer?

Le Mav: It’s mostly a thankless job, but when it’s fulfilling, it’s the most satisfying job in the world. I wish people respected the role more. Without producers, all we'd have are acapellas of our favorite songs.

5. Personal Touch

SOLID MAG: Outside of music, what are some of your passions or hobbies that influence your artistry?

Le Mav: Honestly, I enjoy reading and gaming. But most of my passions still orbit around music—especially instrumentals. I taught myself guitar, and I want to become an incredible guitarist within the next two years.

SOLID MAG: What are your top five songs of all time? (No particular order.)

Le Mav: I can’t say “of all time” because it changes, but right now, my five would be:

- Flashing Lights – Kanye West

- Intro (The Warm Up) – J. Cole (It’s an interlude, but I love the piano on it)

- MA.A.D City – Kendrick Lamar

- Pound Cake – Drake

- New Law – Mikky (Been listening to him a lot lately—definitely a favorite)

SOLID MAG: If you weren’t doing music, what do you think you’d be doing?

Le Mav: Omo! I honestly can’t see myself doing anything else. Music feels like my destiny. I’d be lying if I said otherwise.

SOLID MAG: What’s one piece of advice you’d give to up-and-coming producers?

Le Mav: Practice in secret, show out in public. It takes longer than you expect to become great. You can document your journey, but the camera won’t capture the depth of the effort it takes. So: practice in secret, but when it’s time to perform—go all out.

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